Architectural plans for various hotels in North Queensland: Corner House Hotel (Gordonvale) (1937); The Mossman Exchange Hotel (1934); The Atherton Grand Hotel; and the Innisfail Riverview Hotel.

This series is comprised of the correspondence, public relations and journalism work of Tania Peitzker.

Art exhibition ephemera including invitations, fliers and price lists. Some signed or annotated.

This series is comprised VHS videos, and digital video and audio recordings.

Box 1
Item 1
Gung Ho to Paradise : a community theatre pageant (copyright ACTU Queensland Branch), VHS.

Item 2
Choirs to Congress 1997, VHS.

Box 2
Folder 8
USB with 10 videos of Combined Union Choir performances, 2018 to 2023. Printout of text file listing the videos is in the folder with the USB.

Items 1-7
Seven audiocassettes of recordings of the Combined Unions Choir.

Items 8-21
Fourteen 3.5-inch computer microdisks (floppy disks) containing files possibly relating to interviews with people associated with the Combined Unions Choir.

Item 21
Combined Unions Choir at Mad Ass Folk Club, CD-R, undated.

Item 22
Gung Ho to Paradise, on DVD-R [possibly format shifted by Combined Union Choir?]

Items 23-24
Choirs to Congress, 1997, on two DVD-R discs [possibly format shifted by Combined Union Choir?]

Item 25
Union Choir movies, undated on CD-RW.

Miscellaneous personal items of Caroline Kelly and Timothy Kelly.

Documents collected and collated by Anne McCosker and used as source material for her book Masked Eden.

Biographical details of Graham de Gruchy, 1974

Two notebooks with handwritten lists of works created by Leonard Brown. The second notebook also has diary entries from 24 May 1990.

3 semi-autobiographical memoirs, primarily based on service in World War I.

From 1930 to 1934 Shaw attended Vida Lahey's painting and drawing classes in Brisbane. Mim moved to Sydney in 1935 at the suggestion of Vida Lahey. Mim Shaw was an art teacher and in the early 1940s she assisted with Vida Lahey's afternoon painting and drawings classes for children. Mim also wrote an account of Vida Lahey, as suggested to her by Daphne Mayo. Vida Lahey was Mim Shaw's teacher, mentor and friend. All four items in this series are held in handmade, hand painted artist folders of roughly A3 size containing newspaper clippings, notes, drafts, teaching material, cards, colour charts, correspondence, and information on Daphne Mayo.