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QANTAS shares

QANTAS shares [bought by Colin Peter Basil Bell] documentation and receipts from QANTAS, 1929; Brochure ‘QANTAS : The investors Opportunity!’ ca. 1929; Letter to Frances Needham Bell regarding QANTAS, 2 Jun 1947.

Bell, Colin Basil Peter, 1867-1934

Access copy of 'Recollections of Thomas Davis' collected by Steele Rudd.

This file has three typescript copies (two are carbon copies) of 'Recollections of Thomas Davis' collected by Steele Rudd, two of which have a note in the top right-hand corner 'In the posession [sic] of Hon. Joshua Thomas Bell circ. 1908-9'. One copy has handwritten emandations.

These recollections were shared with his son, Arthur Hoey Davis (1868-1935) (whose pen name was Steele Rudd) mostly likely in the early 1900's. Thomas Davis was a former convict. His memoir covers the period from 1849 to the separation of Queensland from New South Wales in 1859. Davis initially worked with J. C. Burnett's Survey Party. He recounts stories of the places he visited and their history, various encounters with local indigenous groups and individuals, language and culture of the Aboriginal people of the area, kinship system in the Maronoa and Balonne region, and a list of more than 100 names and phrases in the dialect of the people of the Balonne, Dawson and Comet river. Joshua Peter Bell is mentioned several times in memoir. This and other recollections by Thomas Davis were collected by Joshua Thomas Bell in the first decade of the 20th century.

Davis, Thomas, 1828-1904

Letters from family and friends

Letters from friends and acquaintances, many unidentified. Included in this file are letters from Denis Walker, Vivian Walker and Patricia Walker.

Publisher and filmakers

Included in these subject files are materials, often accompanied by correspondence, such as leaflets, newsletters, minutes of meetings, and reports of activities, that relate include some of the following: Black Filmmakers Hall of Fame, Incorporated ; Cinetel Productions; Riverside Studios; and Oxford University Press

Ye Old Courthouse Restaurant, 1 Paxton Street, Cleveland

19 drawings by architect Greg Berkman for Harry and Ann Garms for renovation to The Courthouse. The Garms turned the building into a restaurant called "Ye Old Courthouse" (also know as "Olde Courthouse Restaurant" and now "The Courthouse Restaurant"). The drawings include concept drawings, plans for new covered areas, ground floor and site plan, elevations, drainage, ventilation, and electrical plans, and kitchen details. Drawings 4-1a, 4b, 4c, 4d, 4-2 and 4-3 are unnumbered. Drawing numbers are: WD781 (Job no. 4-4a, 4-4b); WD782 (Job no. 4-5); WD783 (Job no. 4-6); WD784 (Job no. 4-7); WD785 (Job no. 4-8); WD786 (Job no. 4-9); WD787 (job no. 4-10); WD788 (Job no. 4-11); WD789 (Job no. 4-12); WD790 (Job no. 4-13); WD791 (Job no. 4-14); and WD792 (Job no. 4-15).

General correspondence

Correspondents include: Margery Browne, V.N. Thompson, Miriam Ogden, Alfred Buchanan, and Timothy Kelly.
Includes:
-- letter to Sydney Morning Herald from Caroline Kelly, 1 Nov 1934.
-- questionnaires concerning the welfare of Aborigines, sent by the Feminist Club of New South Wales to State parliamentary candidates, and letters of reply from some candidates, 1938.

Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Real property maps and land ownership orders.

Final order dated 22 June 1953, re-establishing ownership of the Matala plantation to Herbert Walford King and Stanley McCosker under the New Guinea Land Titles Restoration Ordinance 1951-1952; and a map of the islands of the Hermit Group, supplied to H. Walford King in September 1956.

New Guinea photographs, 1929 to 1941.

Photographic prints showing people, plantation life and scenery in the Australian Territory of New Guinea. Locations include Wara-Ta-Bar (New Ireland), Ningau, Matala Plantation and Witu. Many of the photographs feature local people wearing ceremonial dress, undertaking ceremonial performances and posing for the photographer. Most of the photographs were taken in the 1930s.

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