162 colour 35 mm slides featuring buildings of Hayes and Scott.

Correspondence, photographs, negatives, slides, newspaper cuttings, microfilm, maps, architectural drawings, sketches, draft manuscripts, public and private projects.

Personal photographic prints, slides, negatives and postcards created or collected by Ray Sumner relating to her research on Amalie Dietrich and natural history. The images include reproductions of photographs, architectural plans, and perspectives of Landhaus J.C. Godeffroy and Museum Godeffroy; views of Siebenlehn, Hamburg, Dresden, Freiburg, Sächsische Schweiz (Saxon Switzerland), and other locations in Germany; members of the Godeffroy and Dietrich families; other individuals associated with Amalie Dietrich; Amalie Deitrich memorials, monuments and gravesite; specimens collected by Dietrich, primarily housed in the Herbarium Hamburgense at the time of capture and originally held in the Museum Godeffroy; museum labels, displays, and interiors in Germany; human remains, weapons, tools, and other artefacts, possibly of Aboriginal Australian origin; and views of Rockhampton, Canoona, Gracemere, Lake Elphinstone and other locations around Queensland.

Item 91 and Item 92 are copies of posed studio portraits of unidentified Aboriginal Australians, believed to be from Moreton Bay, Brisbane, taken by Amalie Dietrich in the 1860s.

Includes 84 black-and-white prints, 23 x 17 cm and smaller; 6 postcards, colour and black-and-white; 1 card; 2 mounted 35mm slides; 77 black-and-white negatives, 13 x 10 cm and smaller; 4 colour negatives, 13 x 10 cm; 65 black-and-white 35mm strip negatives; 8 black-and-white contact print proof sheets, 31 x 21 cm and smaller; 11 black-and-white strip contact print proofs. Many of the prints are from the negatives and the proofs.

Material consists of personal photographs created or collected by Ray Sumner relating to her connection with Noel Macainsh. The photographs feature Macainsh; Sumner; Macainsh's residence ('Pentagon House') in Black River, north of Townsville, and other locations around Black River; a studio, and the construction of said studio, also at Black River; and various sculptures by Sumner constructed of wood, rope, metal and other found objects.

Includes 41 black-and-white prints, 9 x 14 cm and smaller; 11 colour prints, 13 x 9 cm and smaller; 1 mounted 35mm slide

One thousand and fifty two (1,052) 35mm colour slides and original bound manuscript relating to Trotter's publication Cities in the Sun, which were taken while he undertook his Royal Australian Institute of Architects (RAIA) Sisalkraft Travel Scholarship in 1963. An additional 147 35mm colour slides are included, which relate to architecture and design in Australia and the Torres Strait.

This series is comprised of photographic material: 13 large mounted photographs, 2 unmounted photographs pertaining to the work of James Birrell.

Photographer/s unknown. Slides include: floats at the commemoration parades (probably architecture students), early architectural student revues (mostly University of Queensland students), architecture events; demolition of the Bellevue Hotel with one predemolition photograph by Neil Glover, slides of the night of the demolition including protestors; and the1988 Architecture Student review "Review of Reviews" or "Revs". Architecture revues at University of Queensland were inaugurated by John Railton and Richard Stringer. The first revue was OWO held in 1965. Includes pictures of posters, tickets, flyers and/or programs for OWO, RinthFtang, Black Catch, Young Robert Zimmerman, High on a Hot Banana, Awopbopaloobopalopbamboom, Classical Stuff, Childhead's Doll, Surender in Paradise, King Nostril, Flash Delights, I hear what you say, Bottomless Pith, City synthesis, Dorcus French, pictures of newspaper cuttings, and words of a song written by Peter Skinner for Pictures in a book.

Photographs, negatives, mounted slides and real photo postcards of Caroline Kelly, her husband, Timothy, and her extended family, and other people and places associated with Caroline Kelly and her family.

Album 1
15 real photo postcards and 166 black-and-white photographs (sizes vary) of Caroline Kelly, her husband, Timothy, and her extended family, as well as photographs of farmland and dogs, 1850s-1950s. Items 1-3, a real photo postcard and two black-and-white photographs, were originally housed in frames. Some of the people and places identified include Oscar Ulrich Vonwiller, Gordon Bennett Vonwiller, John Bennett Vonwiller, Julie Anne Vonwiller, Rathkells Farm in the Upper Kangaroo Valley and Caboonbah. Item 1 is possibly a picture of Caroline's father, Robert Francis Watson. Items 7-9 include a white ribbon and an unaddressed and undated sympathy card from the Shell Company of Australia Limited, all originally contained in an envelope marked 'Not to be opened'.

Album 2
48 negatives (sizes vary), originally stored across four original film envelopes, as well as three travel cards, 15 black-and-white photographs (sizes vary), 38 colour photographs (sizes vary) and 188 mounted slides (35mm) showing people, places and pets associated with Caroline Kelly and her family, 1940s-1980s. Some of the people and places identified include Oscar Ulrich Vonwiller, Sydney Harbour, Innisfail and Rathkells Farm in the Upper Kangaroo Valley.

Parcel 2
Item 1
Unidentified couple signing a marriage register, undated, possibly ca. 1940s.

Item 2
Group portrait of unidentified attendees at the Jewish Welfare Guardian Society of Australia First Federal Convention in Melbourne, 1948.

Item 3
Studio portrait of Caroline Kelly in a wedding gown, 1929.

Item 4
Group portrait of Caroline Kelly and Timothy Kelly on their wedding day, surrounded by unidentified guests, 1929.

Item 5
CD-R containing digitised scans of photographs from Box 10 Items 1-3, and the photographs, real photo postcards and sympathy card from Album 1, Items 1-9. There are two copies of each scan, both a JPG and TIFF copy, and 22 files in total.

Folder 1
Two contact sheets of digitised scans of photographs, real photo postcards and the sympathy card from Album 1 Items 1-7, as well as the photographs from Parcel 2 Items 1-4.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Album containing 73 black-and-white photographs (sizes vary), 106 negatives (sizes vary), one colour photograph (17 x 23 cm) and 18 mounted slides (35 mm) relating to Caroline Kelly's professional life in the theatre and as an anthropologist. Includes photographs of Margaret Mead, people in possibly Samoa or another location in the Pacific Islands, people at the Cherboug community in Queensland, tobacco farming and a community gathering on the Atherton Tableland, and housing developments associated with Kelly's work for the New South Wales State Planning Authority (later known as the New South Wales Planning and Environment Commission). One set of negatives is accompanied by a handwritten note, possibly authored by Caroline Kelly, marked 'Scenes from a corroboree, N. Queensland'; another set is accompanied by a handwritten note marked 'Studies in a native settlement'.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.