Album of 120 black and white photographs aranged chronologically.
Photographs show the Duke of Gloucester conducting official duties during his visit to Queensland in 1934. Places featured include: Wallangarra, Stanthorpe, Warwick, Clifton, Toowoomba, Gatton (including Agricultural College), Laidley, Rosewood, Ipswich, central Brisbane, Cleveland, Wynnum, R.N.A. Exhibition Grounds, University of Queensland, Bowen Park (Brisbane), Rosemount Repatriation Hospital, Archerfield Aerodrome, Dalgety's Wharf, and H.M.A.S. Australia on the Brisbane River. Photographs of Archerfield Aerodrome show the Duke dispatching the first airmail of the Australia-Great Britain Service.
Photographs are (10 x 14.5 cm and larger) mounted on boards with handwritten captions. Album bound in red leather. Cover title.

57 sepia studio portraits (Cabinet cards), 2 photographs of Hector William Harris and William Henry Harris, plus one letter card views of Pitlochry no. 2. No details supplied with photographs. Photographs come from mostly Victorian studios, including Geelong, Colac, Ballarat and Melbourne.

Black and white photographs, many undated, mostly relating to Queensland people and places, but including photographs of other Australian and overseas locations. Also includes photographs relating to the University of Queensland.

Approximately 900 photographs, mostly black and white, some sepia. Photographs mostly relating to Queensland people and places, but including interstate and overseas photographs. Includes photographs of Australian authors, the 1893 Brisbane floods, and Mornington Island (Queensland). There are also a number of photographs of Papua New Guinea which were originally in the Beazley collection (UQFL271). Other photographs of Queensland people and places can be found in UQFL479.

Bound album, 28 x 25 x 6 cm, of 167 black and white photographs. Appears to be a record of Appel's voyage while Home Secretary in the Queensland Government Steamer "Otter" in 1914 which went as far north as Daru on the coast of south-western Papua. Title embossed on cover of album. Several pages are without photographs. Photographs have been pasted to the mid-weight card and none have captioning. Photographs include: Baron Falls; a lighthouse (possibly Booby Island Light); possibly Aboriginal and Torres Strait Islander peoples from Northern Queensland and Papuan New Guinea peoples; and places from his travels.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Album containing 83 black and white, sepia-toned and coloured photographs and prints, including chromolithograph and Photocrom prints, of various sizes mounted on boards. The album belonged to the Mayne family. Some photographs have printed captions and/or studio imprints. Studios represented include Francis Ellis & W. Hayward (London), Detroit Photographic Company, and G. Brogi. None of the photographs or prints are dated. Some boards are blank.

The photographs feature: European scenery, mostly in France; reproductions of artworks, including The Blind Beggar by Josephus Laurentius Dyckmans, The Maid and the Magpie by Samuel Cousins (after Edward Landseer), Venus de Milo, Circe And Her Swine by Briton Rivière, The Valley of the Llugwy by Benjamin Williams Leader, A Woman and a Fish-pedlar in a Kitchen by Willem van Mieris, The Broken Pitcher by Jean-Baptiste Greuze, The Girl at the Gate by Sir George Clausen, Dignity and Impudence by Sir Edwin Landseer, The Return of Judith with the Head of Holophernes by Sandro Botticelli, and Fortitude, also by Sandro Boticelli; portraits of Native Americans, including Ute Chief Severo and his family; views of Manhattan, New York City, some by William Henry Jackson; and views of North Queensland, including Barron Falls, Fig Tree, Herberton, and the Hanging Rock at Chillagoe. Also includes one photograph of an unidentified Australian homestead, possibly in Queensland, depicting Aboriginal Australian and non-Aboriginal individuals, along with an emu, on the verandah.

Album, 30 x 23 cm, bound in green cloth, containing 104 sepia and black and white photographs of various sizes, mounted on board. Some photographs have handwritten captions. Handwritten inscription inside front cover: 'Nina Stodart with love from "F.S." 18.5.05'.

The photographs feature people, animals and places including members of the Victorian branch of the Stodart family; Mooramong Station near Skipton, Victoria; Geelong College and Geelong; Carlsruhe, Victoria; No. 3 S.M. Coy Corps of Australian Engineers at Lytton Camp; pyramids in Egypt; Enoggera Creek and the early operations of Enoggera Reservoir; Federation celebrations in Sydney; Brisbane during the 1898 flood; the departure of the first Queensland Contingent for South Africa during the Boer War; crowds on Federation Day attending the Proclamation of the Commonwealth, Brisbane; visit of the Duke of York and Duke of Cornwall, George Frederick Ernest Albert; the Aboriginal Arch spanning George Street during the Duke of York's visit in Brisbane; Botanical Gardens, Melbourne; Sandgate, Brisbane; locations in Batavia (Jakarta); and General Lord Hopetoun taking his oath of office in Centennial Park and parading through the streets of Sydney.

Album of 52 albumen prints, (20 x 15cm) mounted on board. Captions include a photographic number and the name of the photographic studio 'Kerry, Photo, Sydney'. Handwritten on the mounting boards are pencil captions, often with less information than the captions on the images and the photographic number supplied by Kerry crossed out and alternative numbering provided. The album itself has been bound and has a handwritten spine title stuck to it "Australian Aboriginal ceremonies". It looks to have been added to the album at a later date, thus not the original title of the album. Photographs are most likely taken between 1875 and 1930.

The images are of Australian Aboriginal people in what appears to be mostly staged poses for Australian Aboriginal ceremonies, corroborees, dance, tracking, fights as well as photographs of various individuals. Some of the photographs have painted backdrops. Some of the people in the photographs were members of "Meston's Wild Australia" (also know as Archibald Meston's "Wild Australia Show"). There are some photographs that were most likely taken in Sydney in December 1892 by Charles Kerry. This is based on the beach setting and the backdrops being identical to those photographs for Archibald Meston's "Wild Australia Show".

Listed below are the contents of the album. The number corresponds to the page number in the album; the title is what appears on the image itself; and in brackets is the Kerry Studio photograph number and the alternative number if provided. Information in square brackets is provided by the processing archivist:

1. Aboriginal ceremony. Death of the deity (Kerry, Photograph number 2804 / 136). --
2. Leaving the bora ceremony (Kerry, Photograph number 2616). --
3. Crossing the mystic figures (Kerry, Photograph number 2614 / 137). --
4. Approaching the kings ground (Kerry, Photograph number 2615 / 138). --
5. Aboriginal ceremony "The sick warrior" (Kerry, Photograph number 2598 / 139). --
6. Aboriginal ceremony "Lying in wait" (Kerry, Photograph number 2608 / 140). --
7. Aboriginal ceremony "Death of the wild boar" (Kerry, Photograph number 2603 / 141). --
8. Aboriginal ceremony "Arrival of the king" (Kerry, Photograph number 2605 / 142). --
9. Aboriginal bora. "Waiting the decision of the king" (Kerry, Photograph number 2617 / 143). --
10. Aboriginal ceremony. "A duel to the death" (Kerry, Photograph number 2610 / 144). --
11. Aborigines worshiping figure of the deity (Kerry, Photograph number 2597 / 145). --
12. Arrival of the novices [unable to decipher writing on photograph] (Kerry, Photograph number 2611 / 146). --
13. Aboriginal ceremony "Warriors in ambush" (Kerry, Photograph number 2600). --
14. Aboriginal ceremony "Opening the Bora" (Kerry, Photograph number 2609 / 147). --
15. Aboriginal ceremony, "Spearing the wild bull" (Kerry, Photograph number 2599 / 148). --
16. Aboriginal corroboree "A battle" (Kerry, Photograph number 2586 / 149). --
17. Aboriginal ceremony "Following the footsteps of the deity" (Kerry, Photograph number 2606 / 150). --
18. Waiting for instructions ([Kerry, Photograph number] 2612 / 151). --
19. Aboriginals "Corroboree" (Kerry, Photograph number 2584). --
20. Aboriginal ceremony, "The Bora tree" (Kerry, Photograph number 2607 / 152). --
21. Aboriginal ceremony, "Spearing the Alligator" (Kerry, Photograph number 2601/ 153). --
22. Aboriginal ceremony, "Gathering wild bird eggs" (Kerry, Photograph number 2602 / 154). --
23. Aboriginals "Corroboree" (Kerry, Photograph number 2585 / 155). --
24. Aboriginal corroboree "Healing the sick warrior" (Kerry, Photograph number 2588 / 156). --
25. [Writing indecipherable] "Drafting sheep" (Kerry, Photograph number 2587 / 157). --
26. Aboriginals tracking ([Kerry, Photograph number] 2583 / 158). --
27. Corroboree Austn Aborigines [painted backdrop] (Kerry, Photograph number 1360 / 159). --
28. "Wermugga Dance" Austn Aboriginals [painted backdrop] (Kerry, Photograph number 1361 / 160). --
29. Aboriginals & Black Trackers (Kerry, Photograph number 1388 / 161). --
30. Group fighting men [painted backdrop] (Kerry, Photograph number 1391 / 162). --
31. Bora Corroboree (Kerry, Photograph number 1390). --
32. Aboriginal Corroboree (Kerry, Photograph number 1367). --
33. Fish Corroboree (Kerry, Photograph number 1393 / 163). --
34. Aboriginals & Black Trackers (Kerry, Photograph number 1378 / 164). --
35. Wermugga Corroboree (Kerry, Photograph number 1392 / 165). --
36. Aboriginals & Black Tracker (Kerry, Photograph number 1389 / 166). --
37. [Writing indecipherable on photograph] Group of Northern Territory natives (Kerry, Photograph number 1368). --
38. An Aboriginal fight (Kerry, Photograph number 2553). --
39. Aboriginals, upper Macleay River (Kerry, Photograph number 2162 / 167). --
40. Aboriginals, upper Macleay River (Kerry, Photograph number 2160). --
41. Aboriginals, upper Macleay River (Kerry, Photograph number 2161). --
42. Darling R. natives (Kerry, Photograph number 141). --
43. Aboriginal climbing tree (Kerry, Photograph number 2126 / 168). --
44. Aboriginal spearing fish (Kerry, Photograph number 2125 / 169). --
45. Native climbing with vine (Kerry, Photograph number 535). --
46. "Wharangoo". Aboriginal, Tenterfield District [painted backdrop] (Kerry, Photograph number 1989 / 170). --
47. "Borree", Aboriginal Chief, Jervis Bay (Kerry, Photograph number 2013). --
48. "Yenohan". Girl, Tumut Tribe, N.S.W. (Kerry, Photograph number 1899 / 171). --
49. Aboriginal women [painted backdrop] (Kerry, Photograph number 1914 / 172). --
50. Aboriginal girl, Brungle [painted backdrop] (Kerry, Photograph number 1913 / 173). --
51. Aboriginal warrior, Bellinger River (Kerry, Photograph number 2014). --
52. Aboriginal with Derri Head dress (Kerry, Photograph number 1371 / 174).

Content advice: Aboriginal and Torres Strait Islander peoples are warned that photographs may contain images of Aboriginal and Islander people now deceased. It may also contain historically and culturally sensitive words, terms and descriptions. The descendants' request was that the subjects of the photos be recognised as Wailwan. None of the descendants expressed any desire to censor or withdraw the photos from general viewing. In particular, women should be cautious when viewing the image as it includes some aspects of traditional Men's Business.

Album of twelve sepia photographs of views of North Queensland including Cairns, Herberton, Barron George, Barron Falls, Hambledon and railways in the area. Title handwritten inside album. Album is undated. A handwritten list of captions and supplied item numbers has been inserted prior to the title page. Most photographs appear to be around the construction of the railway to Herberton which began in Cairns in 1886. It finished in Ravenshoe in 1916.

Written on the inside cover the album, presumably by the seller: "In. [Inventory] 5033. Royal Qto. Oblong Purple toned. 10 [shillings]". These type of photographs were often taken by the Queensland Government.

Each photo has caption, supplied information is included in square brackets:

1. Glacier Rock . --
2. [Cairns-Herberton railway] From 28 bridge. --
3. Surprise Creek bridge [Cairns-Herberton railway]. --
4. Cairns end of long tunnel. --
5. The Barron Gorge. --
6. Herberton end of the tunnel. --
7. Near the Barron. --
8. Barron Falls. --
9. Aborigines of Cairns-Herberton district. --
10. Kanaka women working in sugar cane. --
11. Hambledon Sugar Plantation Cairns, general views. --
12. Hoeing weeds in young cane.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this manuscript may contain images or names of Aboriginal and Islander people now deceased.

Album 20 photographs (26 x 35 cm and smaller) of Rugby Union football teams and matches, 1879-1890. Most teams are from Brisbane, some are from New South Wales and overseas. Teams include Brisbane Football Club, Intercolonial Queensland and New South Wales teams, Wanderers, All England team, Wallaroo Football Club, Emu Football Club, Combined Juniors and All England Club, Wasps and Arfomas.

Sepia photographs (various sizes) mounted on board. Some photographs have handwritten captions identifying players.
Includes a proof of an ink and pen drawing with caption: "NB The top part represents Fall's & Rocks. The bottom scratches are the boy's", and two newspaper cuttings on the Pioneers of Moreton Bay. Green album engraved with gold and word Album written on cover.