3 letters and 2 photographs.

49 glass slides, mostly of Aboriginal subjects.
9 contact sheets of images from the glass slides.

240 slides.

Papers collected and organised for the purpose of writing the book Masked Eden. Papers include correspondence, newspaper cuttings, local news bulletins, typed manuscripts of stories, statements, copies of military records and some administrative records and photographs. Some correspondents in this subseries are also represented in Series B.

Correspondence with various poets and authors. Some poems included. David Malouf interview with Tom Shapcott, Italy, 1978. Most folders within this series have handwritten annotations by Judith Rodriguez.

Correspondence relating to research on the William Duckett-White family in Ireland and emigration to Australia.

Oscar and Lucinda had the working titles 'Orphans', 'Broken Glass', and 'Holy Ghost'. Published in 1988 in Australia by University of Queensland Press. In the same year it won the Book Council Award (Australia), Booker Prize for Fiction (Australia) and Miles Franklin Award. Includes: Complete and incomplete drafts of Oscar and Lucinda and its working titles, including corrections, notes, correspondence, research material, publicity material, reviews, speech notes for the launch of Oscar and Lucinda. Oscar and Lucinda has won the Booker Prize 1988, Miles Franklin Award 1989, NBC Banjo Award 1989, Townsville Foundation for Australian Literary Studies Award 1988, and the Festival Award for Literature (South Australia) 1990.

Notes and research material relating to foreign investment and land ownership in Australia. The material includes a copy of the maiden parliamentary speech by Wayne Goss MLA, newspaper cuttings and some correspondence.

An Imaginary Life is a novel dealing with the last years of the Roman poet Ovid in exile and his strange relationship with a wolf-child. It was first published in 1978. Originally the title was 'Letters from Pontus'. Includes letters from George Braziller Inc., New York relating to the publication of this novel, typescript drafts of the novel, editorial markup by literary argent Curtis Brown of the final draft, and changes for final draft.