Pamphlet published by the Aboriginal Legal Rights Movement Inc. (ALRM) in Adelaide with the support of FAIRA, among other Aboriginal and Torres Strait Islander rights organisations. Provides information on why Aboriginal peoples are protesting the 1982 Brisbane Commonwealth Games and what Australians or visitors to Australia can do to support Aboriginal peoples.

Sticker, possibly a bumper sticker, of the Australian Aboriginal flag with FAIRA in white type over the yellow circle (sun).

Flyer, black type on white paper, asserting the significance of Boondall as a sacred site and Aboriginal burial site. Opposes development at Boondall and calls on the Brisbane City Council to protect the area.

Authorised by the Trades & Labor Council of Queensland, this pamphlet discusses wage discrimination for Aboriginal and Torres Strait Islanders, including: wages and employment deficiencies, exclusion from conditions of the Station Hands Award, disparities in wages based on colour, and laws barring joining unions.

Black type on double-sided white paper. Provides information about the history, purpose and aims of OPAL, particularly across the spheres of housing, education, employment and welfare and social relations.

Copy of a flyer, black handwriting on yellow paper, advertising an exhibition of traditional Aboriginal art to be held from Monday 5 July to Friday 9 July at the Queensland Room, McDonnell & East Ltd Building, arranged by OPAL. Exhibition will feature Arnhem Land bark paintings, carvings, weapons, artefacts and feathered headdresses.

Copy of a trifold brochure, brown type on yellow paper, undated, promoting the Geerbaugh Aboriginal Cultural Centre, also known as the OPAL Cultural Centre. Address for the Centre is listed as 466 Ann Street, Brisbane. Features a biography and a black and white photograph of Uncle Willie MacKenzie (Geerbaugh), for whom the Centre was named. Contains a list of items for sale (didgeridoos, boomerangs, spears, bark paintings, shields, paintings, and other artefacts) as well as sketch illustrations of these objects. Includes black and white photographs from inside the Centre showing displays of art by Aboriginal and Torres Strait Islander artists, and a hand-drawn map of where the Centre is located in the Brisbane central business district.

Trifold brochure, brown type on white paper, produced by Australians for Native Title and Reconciliation (ANTaR) Queensland, with information on ANTaR and its aims, accompanied by an unfilled membership form.

Leaflet with information on ANTaR New South Wales and its aims. Verso contains a list of organisations that are members of ANTaR NSW, as well as contact details for state and national ANTaR contacts.

Newsletter, brown type on white paper, produced by ANTaR QLD. Includes a recap of an ANTaR-hosted forum of discussions on native title issues between National Indigenous Working Group (NIWG) and representatives from Land Councils and local government and church groups; a recap of the Brisbane stolen generations apology ceremony, whereat Lord Mayor Jim Soorley handed the keys of the City of Brisbane to Elder Herb Bligh to symbolise that Indigenous people are welcome to the city; an article on the Multilateral Agreement on Investment (MAI) and its potential impact on native title justice in Australia; and an article on the Mirrar community's opposition to a new uranium mine on Jabiluka land. Address label on last page shows the newsletter was posted to Muriel Langford.