This subseries has drawings by the firm Scorer and Scorer prior to James Birrell purchasing the firm in 1966 after Fred Scorer died from injuries in a car crash.

Black, spiral-bound A2 folders with handwritten labels on bottom right-hand corner of each with "Art Archive : Leonard Brown" and the representative years. They include correspondence, exhibition invitations and catalogues, price lists, photographs, newspaper cuttings from 1967 to 2011.
The scrapbooks also contain correspondence from:

1. Commercial galleries, including Garry Anderson Gallery, Alan Matthews trading as Garry Anderson Gallery, Andrew Baker Art Dealer, Bellas Gallery, Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery Niagara Galleries, Charles Nodrum Gallery, The Painters Gallery, Michael Reid Art Merchant, Sherman Galleries
2. Collecting galleries, including Auckland Art Gallery, Australian National Gallery, Brisbane City Gallery, Museum of Brisbane, Gold Coast Arts Centre, Griffith University, City of Ipswich Art Gallery, La Trobe University, Mornington Peninsula Regional Gallery, Museum of Contemporary Art, National Gallery of Victoria, Queensland Art Gallery, QUT Cultural Precinct, Art Gallery of South Australia
3. Other correspondents, including Ric Aqui, artbank, Blake Society, Chris Capper, Peter Fay, Jill Godfrey, Sasha Grishin, John McPhee and Michael Phillips

Three scrapbooks,, dating from 1944 to 1946, containing correspondence (including rejection letters), wartime ephemera, and several pages of cuttings relating to the ‘Ern Malley’ hoax.

Cuttings from Brisbane newspapers relating to student radicalism, labour and union actions, and other political issues.

Seven bound volumes containing copies of essays published in the Mackay Daily Mercury. Topics cover many fields but the predominant interests are literature and astronomy. One volume contains an index to the essays.

The series includes manuscript and typescript drafts, notes, research material, and some related correspondence Carey's screenplays, of which Bliss and Until the end of the world were produced.

This series comprises: 48 tools ; a leather box with ties, titled Solid block of oil sketching paper, Winsor & Newton Artists' colour markers ; small leather box, engraved 'R.G. Rivers', with purple lining, protractor set [?] ; [File 1]: Folder with Sculptor's tool catalogues, technical information on techniques used in sculpture.

This series comprises manuscripts and drafts of unpublished and published short stories and short story collections. It also includes Carey's biographical story about the birth of his son Sam called A letter to our son