Seven letters to Ted Dunn responding to his request for information about Nutter Buzacott, or Buz. Correspondents are: Grahame King, Alan Marshall, Jim Wright, Murray Young, William Constable, and Noel Counihan. All letters were written in October 1979. One sheet of foolscap paper with photocopies of newspaper cuttings from the late 1930s and early 1940s about Nutter Buzacott. Two CDs of oral history interviews with his wife Winnie Buzacott. Catalogue from The Redcliffe Art Content Thirteenth Annual Exhibition, 20th August to 13th September 1969. Photocopy of the covers [designed by Buzacott?] of The big crush : what everyone should know about the CSR sugar monopoly and Who own Queensland by Pete Thomas.

Exhibition invitations and catalogues. Gallery invitations include: Ray Hughes Gallery exhibiting Ken Whisson (1983); Garry Anderson Gallery exhibiting Peter Booth (1987), Agnes Martin (1987), Maningrida (1988), Billy Yalwanga (1988), Leonard Brown (1987, 1988), A private collection [of] Australian, British and Japanese works of art (1988), Andrew Taylor (1989), Noel McKenna (1988), Peter Atkins (1988), Australian photograph 1928-1988 (1988), Allan Mitelman (1988, 1989), Gordon Walters (1989), Paul Partos (1987), Terry Ngamandarra (1990), Tribal art from the collection of Mr Peter Halinan (1991), Nigel Hall (1990), Jack Wunuwun (1990), Joe Felber (1989), Madonna Staunton (1988), Peter Elliston (1989), Rosemary Madigan (1989), Richard Thomas (1990), Noel McKenna (1989), Patsy Hely (1988) Osmosis (1990); Baldacci-Daverio GAllery exhibiting 'Nature Morte de Chirico de Pisis Gnoli Manzoni Morandi' ; Andrew Baker Art Dealer exhibiting Leonard Brown (2011); Sean Phillips Patternpoems; Doggett Street Studio exhibiting Lance Litchfield (1995), Brendan Smith (1995, 1997), Nick Cominos (1995, 1999, 2000), Stephen Mok (1998); Niagara Galleries exhibition Leonard Brown (1986); Christine Abrahams Gallery exhibiting Robert Klippel (1988). Catalogues are from the Charles Nodrum Gallery exhbiting 'Abstraction 11' (2012); and Redcliffe City Art Gallery exhibiting '15 Artists' (2013).

Two notebooks with handwritten lists of works created by Leonard Brown. The second notebook also has diary entries from 24 May 1990.

Four diaries mostly used while travelling.

Comprises five typescripts by Leonard Brown:
Antipodes, An opera for the Australian Bi-Centenary typescript, [1987?] 30pp. Accompanied by letter from Carl Vine
Notes for an Exhibition. Love Lift paintings. 1999 – 2000.
Ikonodule: one who serves and venerates images, 9p
[The Cross], 2p
[When I am not painting, I draw], 2p

Reviews about the art work of Leonard Brown and other artists. Comprises: Grishin, Sasha, ‘Originality in the icons of Leonard Brown’, nd, typescript, 2p; and McDonald, Ewen, ‘Contemporanea: Letter from Sydney’, 1989, typescript, 4p.

Correspondence from galleries (including financial statements), exhibition invitations and catalogues, photographs (including of a survey exhibition Garry Anderson Gallery & Mori Gallery), newspapwer cuttings. Includes correspondence from Alan Matthews trading as Garry Anderson Gallery Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery, Mori Gallery, National Gallery of Victoria, Brisbane City Gallery, Institute of Modern Art, University of Melbourne, University of New South Wales, Queensland Art Gallery.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Bellas Gallery, Sherman Galleries, Andrew Baker Art Dealer, QAG, Museum of Contemporary Art, Art Gallery of South Australia, Gold Coast Arts Centre, artbank, John McPhee, Peter Fay, Chris Capper, Michael Phillips.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Sasha Grishin, Michael Reid Art Merchant, QUT Cultural Precinct, Auckland Art Gallery, Charles Nodrum Gallery, Ric Aqui (relating to his book on the Avalon apartment block).

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Museum of Brisbane, Sasha Grishin, Michael Reid Art Merchant, La Trobe University, Griffith University. No handwritten label on bottom right hand corner.