One leaf, handwritten in blue ink, with notes by author on rewritten chapters. Rewritten chapters in second typescript draft, 16 leaves, 1981? Chapter 8 becomes chapter 9 in final manuscript. Chapters 10 and 15 also renumbered in final draft. With handwritten corrections in blue ink, handwritten page numbers in bottom left -hand corners.

Ten typescript book reviews of non-fiction books, 3-4 pages each, for the Australian Broadcasting Commission’s (ABC’s) Books for comment programme, second half of 1969. Includes: two drafts with emendations; and eight final scripts with an ABC ‘With compliments’ slip attached.
Typescript titled 'The Poetry of John Bligh' on foolscap paper headed Australian Broadcasting Commission, no date. 14 pages.

Remembering Babylon, set mainly in a mid-nineteenth-century settlement in Queensland, is a compressed epic, centering on the theme of exile and the strange challenge posed by one who, like William Buckley, had lived with the Aborigines, becoming ‘a white black man.’ It was first published in 1993. This subseries consists of six folders of notes, handwritten drafts, three typescripts with many handwritten corrections and additions, publishers’ proofs with many corrections, and a re-typed transcript with corrections throughout.

Remembering Babylon : for tenor voice and piano, composed by Diana Blom ; text by David Malouf, 2 versions, one unpublished with holograph letter by Diana Blom, dated 8 Nov 2001; the other is the score published Wollongong, Wirrapang Pty Ltd, 2013, (31 pages); 21 x 30 cm, with note "Dear David, Finally published! Cheers Dinty".

One handwritten note 'Rejected chapers - also earlier typed versions of the book replaced by present 1st typed versions'. With rejected chapters, 26 leaves. Undated.

Rehearsal notes for Voss, by Christopher Williams. Copy for David Malouf. [Note: Company notes on first performance of Voss, Adelaide, 1986, March]

Ransom retells the story of the Iliad from books 22 to 24. This subseries has manuscript and typescript drafts, with handwritten emendations. By close textual comparison (including with the published novel), these versions have been put into the order in which they were likely produced.

Literary awards and nominations include:
2010 winner International Awards — John D. Criticos Prize. Awarded to David Malouf for his novel Ransom.
2010 shortlisted Prime Minister's Literary Awards — Fiction - for Ransom.
2010 Australian Literature Society Gold Medal ... presented to David Malouf for his novel Ransom.
2010 shortlisted New South Wales Premier's Literary Awards — Christina Stead Prize for Fiction - for Ransom.
2011 shortlisted International Awards — International IMPAC Dublin Literary Award - for Ransom.

Publisher's page proofs of Remembering Babylon, 202 pages, front cover removed, handwritten emendations.

This subseries is comprised of:
Folder 1 An imaginary life. Based on the novel by David Malouf. The Australian Elizabethan Theatre Trust. Folded sheet with insert. First performed on 19 Feb 1986. With associated review. Blood relations. The State Theatre Company and the Sydney Theatre Company. 1987. 24p. Voss. The Australian Opera at the Sydney Opera House. 18 Oct 1990. Single-leaf sheet. Contained in a red folder with gilt-embossed title and string. Also contains six cards in envelopes addressed to Malouf.

Folder 2 Mer de Glace. The Australian Opera, 1991. Baa-baa black sheep. An opera in three acts. Music by Michael Berkeley. Cheltenham International Festival of Music 3 Jul 1993. [and] Opera North 15 (Leeds, UK). 13, 16, 17 and 19 Nov 1993.

Folder 3 1914. Inspired by Fly Away Peter. The Australian Ballet. 7-27 Apr 1998. Exotic pleasures. From stories of Peter Carey and David Malouf. Theatre of Image at the Seymour Centre at the University of Sydney. York Theatre. 12 Mar to 3 Apr 1999. A3 broadsheet programme. [Mary Ellen Snodgrass: Peter Carey. A literary companion dates this adaptation to mid-January 1999, and describes it as a ‘dance-cinema-puppet montage’. In January 1999 Theatre of Image offered a workshop based on Exotic Pleasures at Macquarie University. With copies of newspaper reviews. Johnno. Adapted for the stage by Stephen Edwards. Derby Playhouse and La Boite Theatre. 14 Jul – 5 Aug 2006. Powerhouse Theatre.

Photocopy of a published music score for ‘Dr Leichardt’s March’, composed by S.H. Marsh, used at the end of Act I of Voss