One handwritten note by author: 'Original typescript for afterword (unused). Later rewritten for programme note for the ballet, then for a piece on North Queensland in the Griffith Review.’ Accompanied by the draft, which has handwritten emendations in pen and pencil, thirteen leaves are original typescript, 7 leaves are photocopies, all 20 leaves hand numbered from 124 to 139.

The central figure of Harland’s Half Acre, Frank Harland, is another study of the artist-figure which continues to intrigue Malouf. Partly structured like Johnno and An Imaginary Life around two opposite individuals, the novel returns to the lush, exotic world of Queensland with a chronological narrative covering several decades. From his youth Harland is obsessed with the need to reclaim his family’s lost inheritance, the pastoral land with the nostalgic name Killarney. The dream turns sour when tragedy intervenes but Harland grows to understand that he has created another unexpected but more real legacy in his art. Harland’s Half Acre was first published in 1984. This subseries consists of two notebooks of 200 pages each with background material, notes and drafts, correspondence, various typescript drafts with handwritten corrections and additions, and a complete typescript of the finished novel.

Original typescript and photocopied typescript draft of Harland's Half Acre, handwritten emendations, white-out corrections and cut and paste inserts (attached with sticky tape, now degrading).

Handwritten and typescript draft of Harland's Half Acre, handwritten emendations, white-out corrections, approximately 200 pages, parts I to IV complete, part V incomplete, parts I to III dated at the end.

Handwritten and typescript draft of Part II of Harland's Half Acre, handwritten emendations, white-out corrections, undated.

Handwritten letter (2 double sided pages) from Nora Smallwood to author with editorial suggestions attached (3 leaves).

One Upim notebook of 200 pages with handwritten notes on structure of novel, character details and draft of Harland's Half Acre, handwritten in red, blue and black ink. Writing is reversed or written in both directions in the notebook. Handwritten notes on sheet inserted into notebook.

One Upim notebook of 200 pages with handwritten draft of Harland's Half Acre, handwritten in red and blue ink.

[First] typescript version of Harland’s Half Acre, 265 leaves, typescript, photocopied and handwritten, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading). Handwritten page numbers in top right-hand corner of most leaves, some pages out of sequence, some pages are duplicated. Undated.

[Complete] typescript version of Harland’s Half Acre, 248 leaves, typescript, photocopied and handwritten, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading). Handwritten page numbers in top right-hand corner of most leaves, pages numbered out of sequence, some sticky tape inserts have come loose. Undated.