Material copied from the originals held in the Huntington Library. Included in this file is the photocopy of holograph inscriptions in Ada Cambridge works, formerly part of the library of James Carleton Young:

• Photocopy of cover, library catalogue card and title page for A Happy marriage, London : Hurst and Blackett, 1906, with the inscription on the title page: Not, of course, ones ideal happy marriage - far from it - but representing, as I think, the general type of happy marriage that we actually see & know. Ada Cross ("Ada Cambridge"), March 1907.
• Photocopy of cover, library catalogue card and title page for Fidelis : a novel, 4th ed., London : Hutchinson, n.d., with an inscription on the half title page: An illustration of a theory which a long study of human nature seems to have confirmed - that a conspicuous lack of physical attractions is (to the healthy-minded in aspiring) more helpful to character and success in life than beauty. Ada Cambridge. March 16th 1907.
• Photocopy of cover, library catalogue card and title page for Path and Goal, London : Methuen, 1900, with an inscription on the half title page: That what is perhaps my favourite novel (of my own creation) should find its permanent home in the United States - where I have long believed that the standards of literary culture, workmanship and taste are the highest and most stable of any in the world - is to me the greatest public honour as well as personal gratification that my profession as a writer has brought me. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia, 1907.
• Photocopy of cover, library catalogue card and title page for Not all in vain, Melbourne : Melville, Mullen & Slade, 1892, with the inscription on the title page: The Australian edition of this book is substituted for the unwieldy 3 volumes of the original English issue. The work belongs to the full and happy earlier years of my literary life, and marks the period at which I was definitely received into the ranks of British novelists - Ada Cambridge. March 17th 1907.
• Photocopy of cover, library catalogue card and title page for A marked man : some episodes in his life, Popular edition, London : William Heinemann, 1894, with inscription on half title page: This book laid the foundation of such literary reputation as I have enjoyed since its publication in 1891, it being my first to attract public attention in England. I think it can also claim the [indecipherable] of being amongst the first of British works to obtain copyright in the United States. The "Queenslanborougher" [? indecipherable] of the story is reminiscent of a villager - afterwards this villages, one a [?] watering-place - on the east of [?] (my native country0, where many happy summers of my childhood were spent. The "Camp" existed as described and [?] me many years ago. Its 'site' is new thickly built [?], included in the spreading [?] of suburban Sydney. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia. March 15th 1907.
• Photocopy of cover, library catalogue card and title page for The Three Miss Kings, London : William Heinemann, 1899, with inscription on half title page: This novel, although not my first to appear in book form, was the first written of the series published in London and New York, beginning with "A Marked Man" in 1891. It immediately followed the latter book, having been a serial in 'The Australasian' so long before [?] 1883. I considered it, by reason of its [?] ineligible for an honour. I should not myself have and might for it, but it had passed from my possession and control before "A Marked Man" established me as a British author, and I believe, it has had a larger circulation and been more generally read than any of its successors. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia April 5th 1907.
• Photocopy of cover, library catalogue card and title page for Unspoken thoughts, London : Kegan, Paul, Trench & Co., 1887, with inscription on fly leaf: This little work may be described as an ebullition of untempered grath [?]. Twenty years ago I published it at my own expense - merely as a relief to a brooding mind, grown morbid, apparently, from physical ill health and too much solitary meditation not intending that the [?] be [?] home to me. Of course, the carefully planned ambiguity could not be maintained, and the [?], from a professional point of view, was a failure - the absence of a [?] meant the absence of public notice and when in 1891 the bulk of the tiny edition "remained", and it was proposed to me to sell it for what it would fetch, I exercised my right as owner to have every copy destroyed. The book therefore has the merit - wh in my riper and calmer years I highly appreciate - of being extremely rare. Ada Cambridge. The Vicarage, Williamstown, Victoria. Australia. April 5th 1907.
• Photocopy of a manuscript volume of poems, titled 'Poems by Ada Cambridge', 66 leaves, versos blank, with title page, two-page inscription to James Carleton Young, index listing poems. Poems: The souls' sanctuary, A prayer, Cui Bono, Sic vos mon vobis, Evening on the Broads, The Virgin Martyr, Mates, The winged mariners, Tomorrow, Nightfall on Australian hills, What of the Night?, Sonnets: - Influence, Despair, Faith, Peace.

Plates and illustrations, from various journals, collected by G. H. M. Addison. Each volume has its title on the spine.

[Item 1] Church architecture, plates from The British Architect 1886, 49 x 38 cm.
[Item 2] Public buildings, includes plates from The Building News, The Builder, The Architect, The British Architect, 1880 to 1887, 43 x 33 cm.
[Item 3] Architectural drawings, includes plates from The Building News, The Builder, 1888, 43 x 33 cm.
[Item 4 ] Churches, includes plates from The Building News, The Builder, American Architect and Building News, 1889, 43 x 33 cm.
[Item 5] Churches, includes plates from The Builder, The Building News, Architectural Illustration Society, 1888 to 1889, 43 x 32 cm.
[Item 6] Street architecture, includes plates from American Architect and Building News, The Builder, The Architect, 1889, 43 x 32 cm.
[Item 7] American architecture plates, includes plates from The Builder, American Architect and Building News, The Building News, 1891, 44 x 33 cm.

Typescript poem 'The victory : Murwillumbah ... Sept 15th 1907-8'. Unpublished. Most likely written by George Essex Evans. Found in the book A new star atlas for the library, school, and the observatory in twelve circular maps by Richard A. Proctor. The book was donated by the family of George Essex Evans. The poem is accompanied by newspaper cuttings from the period 1922-1929, mostly relating to astronomy that were also inserted into Proctor's book.

Memorabilia including copies of photographs and programmes and a history by Cecilia Sands (daughter of actor Milton Sands) of the first English Shakespearean company to tour Australia in 1919.

Three political protest T-shirts relating to the Queensland Council of Civil Liberties 'Right to March' campaigns, Bjelke-Petersen, and John Hewson.

Letters to Frank Gordon McKean who left Elgen, Scotland in 1862 for Queensland. Includes examples of cross writing. Accompanying handwritten notes, on three leaves, by John Sutherlandlist the letters. Correspondence includes:
• Letter of introduction give to Frank from Alexander Munro to his brother Douglas Munro, a resident of Queensland;
• Anne Gordon of Elgen, his aunt;
• F. S. McKean, father of Frank;
• letters from Alexander Raff;
• Robert Mitchell;
• a letter from James Cook, Invercargill N.A. to Mrs McKean, which was forwarded to Frank;
• Charles B. Barff;
• letters from John R. Barff;
• portion of a letter from his mother;
• letter from John Fenwick forwarding mail from Mrs McKean (on the reverse is a circular issued by John Fenwish & Co, Brisbane 5 December 1864)

There are envelopes, partial and whole, most of which are addressed to Frank Gordon.

Contains material such as art exhibition catalogues, invitations and ephemeral items relating to Australian artists exhibiting in Queensland galleries.

Folder 1: 1928-1989 -- Folder 2: 1990-1999 -- Folder 3: 2000-2009 -- Folder 4: 2010-2019 -- Folder 5: Regional branches.

This file is comprised of a letter and a booklet that accompanied the book, Seduction and betrayal : women and literature written by Elizabeth Hardwick. This book is held in the Fryer Library Rare Book collection and has an inscription from Patrick White to Christina Stead from 1974.

Typewritten (unsigned) letter, 2 pages, dated 16 Feb 1975 from Christina Stead to Patrick White. The letter is about Elizabeth Hardwick and her book, Seduction and betrayal : women and literature. At the end of the letter, handwritten in blue inital and all capitals is 'Horse - hare - rabbit'. The letter would appear to have never been posted.

The booklet is 'A catalogue of some books from the personal library of the late Christina Stead'. This catalogue originally accompanied book, Seduction and betrayal : women and literature by Elizabeth Hardwick.

There is an explanatory note from Louise Campbell about the letter and the booklet that were originally inserted into Seduction and betrayal.

John R. Laverty was a Research Assistant for Professor Gordon Greenwood. In the early 1950s, Laverty produced these research summaries to facilitate Greenwoods work in writing the history of the first twenty years of the Brisbane Municipal Council and some aspects of Brisbane's early history. The two bound volumes were complied by Matthew Fuchs in 2004, and comprise photocopies of carbon copy typescript. Volume 1 contains: a survey of Council activities, evidences of city development, the growth of Brisbane city, animal nuisance issues, the Brisbane Bridge and water supply. Volume 2 contains more detailed information about the city such as cemeteries, ferries, Port of Brisbane, parks and recreation reserves, the Town Hall, roads, sewerage, street improvements and city transport.

Green on white, semi-gloss program for 1964 production of 'As You Like It' performed at the Brisbane Arts Theatre from Thursday 4th June to Saturday 13th June at the Albert Hall. Autographed inside by most of the cast with one to Flloyd dated 10 Jun 1964. Three photocopied pages of newspaper cuttings regarding performances by the Brisbane Arts Theatre from 1963-1964. Flloyd Smith is in one of the cuttings in a chimpanzee suit.