11 photographs. Includes: Daphne Mayo, 1939 ; Portraits of Daphne Mayo, 1939 ; Daphne Mayo and Vida Lahey?, c1930 to 1939? ; Daphne Mayo with flowers, c1936 ; Daphne Mayo in front of tree, c1930 to 1939? ; Archbishop James Duhig, Daphne Mayo and Vida Lahey at the opening of Vida Lahey's exhibition, Griffiths Tea Rooms, Queen Street, Brisbane, 16 Oct 1934 ; Daphne Mayo, c1930.

This series comprises: 48 tools ; a leather box with ties, titled Solid block of oil sketching paper, Winsor & Newton Artists' colour markers ; small leather box, engraved 'R.G. Rivers', with purple lining, protractor set [?] ; [File 1]: Folder with Sculptor's tool catalogues, technical information on techniques used in sculpture.

13 sketches from Daphne Mayo’s second overseas visit.

Correspondence from Daphne Mayo to her parents.

Daphne : Nov 1937 to Nov 1940 written on cover of All Schools exercise book. First page has name and address list including Daphne Mayo's address in Sydney and Fulham Road in London. Exercise book used as a ledger to record transactions for the rental property consisting of 3 flats, a cottage, studio and tennis court, associated expenses, money banked, names of the tennants, weekly rent. Some of these records can be attributed to her parents, mostly likely her father, Bill Mayo, as Daphne was in Europe in the late 1930s. From 14 August 1938 the cottage is rented to 'Mayo'. The Studio to rented to Vida from September 1938.

20 photographs (some duplicates) of the sculpture 'Fat Man'.

54 letters from Bill and Lila Mayo to their daughter Daphne from 26 March to 14 December 1940.

Ink and paint; 17 scrape painting designs; from the Sydney studio. One design on a page from The Sydney Morning Herald dated, Saturday 27 Jul 1940.

63 letters from Bill and Lila Mayo to their daughter Daphne from 8 February to 7 December 1941.

10 photographs (some duplicates) of the portrait bust of 'John Young'.