Manuscripts, publication cards and documents relating to the poetry and publications of Paul Knobel, Queensland poet and writer. One printout of An Australian Gay Chronology ; One printout of manuscript of Poems 2008-2011, removed from plastic ring-bound folder (discarded) ; One printout of _The twenty-first century: poems 2000-2007, spiral-bound, with handwritten corrections and commentary in black ink ; One copy of 'From touch to touch' published on white cardboard in A5 size ; Ten poems printed on cardboard of varying colours, ca. 8.7 x 21.7 mm, two of which are duplicates ; One printout of _Paul Knobel: Bibliography/Bio-bibliography/CV/Curriculum vitae/Vita current to 15 August 2011, clipped to one printout of _Paul Knobel: Bio-bibliography current to 9 October 2010.

This file is comprised of a folder of 101 negatives, 11 x 7 cm. Images of mostly landscapes, with some of ships, workers at a building site, local indigenous people, what appears to be a WWII memorial. Original box marked 'New Guinea' and appeared to have the name 'Reg Sly' in pencil on the back.

This collection is comprised mostly of papers relating to Dorothy Blewett including: drafts of playscripts, novels, short stories, and articles for published and published works; a small amount of incoming and outgoing correspondence; photographs; personal documents; documents relating to her professional activities; and theatre programs and travel ephemera relating to her time spent in the 1950s in England and Europe. There are also some papers relating to the activities of her sisters, Elizabeth Melville Blewett (born Elsie Melville Blewett, also referred to as 'Bill') and Rowena Sarah May Blewett.

Sixteen postcards written by Gwen Harwood to Alexander Craig in 1962. Most of them marked by Gwen Harwood as 'Sappho cards': These cards have illustrations cut from Victorian and Edwardian books and magazines, some with conversation bubbles or annotations. Some postcards have poems by Harwood.

Item 1: 20 Jan 2019
Item 2: 23 Jan 1962
Item 3: 2 Feb 1962
Item 4: 7 Feb 1962
Item 5: 9 Mar 1962 (postmark date)
Item 6: 13 Mar 1962 (postmark date)
Item 7: 13 Mar 1962 (written date)
Item 8: 30 Mar 1962
Item 9: 3 May 1962
Item 10: 14 May 1962
Item 11: 18 May 1962
Item 12: 21 May 1962
Item 13: 1 Jun 1962
Item 14: 9 Jun 1962
Item 15: 13 Dec 1962
Item 16: 26 Dec 1962

Ephemera relating to the work of Ken Campbell-Dobbie. Includes leaflets for: 'The playbox - burnt but boyant' with The Playbox Progress, Feb 1984; 'Metamorphosis : a classic workshop theatre company'; 'Brecht on Brecht' at The Hole in the Wall Theatre (1982); 'Phaedra'; 'My name is Pablo Picasso', performance schedule (1982); 'My name is Pablo Picasso' (1984); 'Uncle Vanya' at The Hole in the Wall Theatre (1981); 'Ring round the moon' (1981?); 'Spring awakening' (1980); two different flyers for 'Commission : a theatrical anthology of poetry' ; photocopied article from Artlook, June 1980; and one leaf with two photocopied newspaper cuttings.

Photograph on glass of an unidentified gentleman. Photographic process known as an opalotype.

Landscape painting on milk glass depicting a small red roofed cottage surrounded by trees.

Minutes, correspondence, newsletters, membership lists and ephemera of People for Nuclear Disarmament (PND), with particular emphasis on PND groups in Brisbane; documents relating to other peace and anti-nuclear organisations in the 1980s and 1990s; media reports and articles relating to the nuclear industry and the anti-nuclear movement

Sound recording from 1973 or 1974 by Oodgeroo Noonuccal, and others, interviewing Paul Tripcony while he was on a visit to Minjerribah.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain voices, images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Handwritten letter from David Malouf answering three questions that Yvonne Smith had asked: how did An Imaginary Life first come to be published; how were Fly Away Peter and Child's Play published; and in writing Johnno ( what was the possible influence of Peter Paul Ruben's painting The Return of the Peasants from the Fields. As the questions were not included in Malouf's response, Smith has provided a transcript of the handwritten letter with the questions included. Typed transcript of the Diary of David Malouf written while writing Child's Play, Fly Away Peter, and short stories in January / February 1981. The handwritten version of this transcript was shared with Malouf over lunch and he shared information about the content which Smith has included as footnotes.