Dates on some of the photographs are not given; sometimes a range of dates has been estimated. Caption title are mostly supplied by library staff; inscriptions on reverse may be by library staff or others.

This series includes:
AI/P/1: Lecture room, Department of Architecture, second floor, undated; 1 b&w photograph.
AI/P/2: Lecture room, Department of Architecture, undated; 1 b&w photograph.
AI/P/3: Lecture room, Department of Architecture, second floor, undated; 1 b&w photograph.
AI/P/4: Large lecture room, Department of Architecture, second floor, undated; 1 b&w photograph.
AI/P/5: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/6: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/7[a]: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/7b: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/7c: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/8: Room, Department of Architecture, Forgan Smith Tower, undated; 1 b&w photograph. Stamp on reverse: Photographic Dept University of Queensland.
AI/P/9: Room, Department of Architecture, Forgan Smith Tower, undated; 1 b&w photograph. Stamp on reverse: Photographic Dept University of Queensland.
AI/P/10: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/10a: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/10b: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/10c: Room, Department of Architecture, undated; 1 b&w photograph.
AI/P/11: Enquiry counter, third floor, Forgan Smith Tower, Department of Architecture, undated; 1 b&w photograph. Stamp on reverse: Photographic Dept University of Queensland.
AI/P/12: Escape stair, second floor, Forgan Smith Tower, Department of Architecture, undated; 1 b&w photograph. Stamp on reverse: Photographic Dept University of Queensland.
AI/P/13: Anatomy students using tapes and slides for revision of practical work, 1970; 1 b&w photograph.
AI/P/14: John Darnell Art Gallery, ca. 1954; 1 b&w photograph. Stamp on reverse: University of Queensland Department of Photography.
AI/P/15: Electron Microscope Unit laboratory, undated; 1 b&w photograph.
AI/P/16: Electron Microscope Centre, Otto Hirschfield Building (Anatomy Building), undated; 1 b&w photograph.
AI/P/17: Students using the audiovisual facilities of the English Dept, 1970; 1 b&w photograph.
AI/P/18: Spencer J. Routh (Library), Frank Thompson (UQ Press), Roger Jayce (History) and Sue Pechey (Editor, UQ Press) examining microfilm of Pugh's Almanac as part of UQP microfilming project, 1968; 1 b&w photograph.
AI/P/19: New rock boring drill at University Mine at Indooroopilly, undated; 1 b&w photograph.
AI/P/20: New surveying equipment, undated; 1 b&w photograph.
AI/P/21: Agricultural students at work, undated; 1 b&w photograph. Stamp on reverse: Photographic Dept University of Queensland.
AI/P/22: Histology Lab in the Otto Hirschfeld Building (Anatomy), undated; 1 b&w photograph.
AI/P/23: Prof Davies demonstrates new equipment in Dentistry to a distinguished group of guests, undated; 1 b&w photograph.
AI/P/24: Mayne Hall from the steps of Forgan Smith Building, School of Law entrance, 1970s; 1 b&w photographic print.
AI/P/25: Mayne Hall with Biological Sciences Library in background, 1970s; 1 b&w photographic print.
AI/P/26: Mayne Hall with Central Library in background, 1970s; 1 b&w photographic print.
AI/P/27: Cars in front of building, 19702; 1 b&w photographic print.
AI/P/28: Student union complex, 1970s; 1 b&w photographic print.
AI/P/29: Student union complex Axon Room, 1970s; 1 b&w photographic print.

Numerous certificates for meritorious architectural work, a Diploma in Architecture from The University of Queensland, certificates of election as an Associate, Fellow and Life Fellow of the Royal Australian Institute of Architects (RAIA), and as an Associate of the Royal Institute of British Architects, and a certificate of appointment as an Officer in the General Division of the Order of Australia (AO).

Photographic negatives, slides and prints relating to architectural jobs and competitions in which Robin Gibson was involved. The series also contains a framed portrait photograph of Robin Gibson. Richard Stringer is identified as the photographer of some of the photographs. In most cases the photographer is not identified.

Architectural model of Robin Gibson's vision for New Southbank after Expo 88

Office diaries containing details of contacts and appointments, and brief notes about work-related matters

Architectural drawings relating to government, educational, residential, commercial and ecclesiastical jobs undertaken by Robin Gibson and Partners throughout the life of Gibson's practice in Brisbane. While the vast majority of the drawings are the work of Gibson, his partners and staff, some drawings were created by engineering firms and architectural artists commissioned by Gibson.
Key to creators' initials:
RFG/RG - Robin Findlay Gibson
FR - Finn Rasmussen
CHC - Col Christ
AK - Alan Kirkwood
WSH - William (Bill) S Heather
PW - Paul Wallace

Administrative records relating to architectural design and consultancy jobs undertaken by Robin Gibson and Partners. Records include correspondence, design briefs, specifications, copies of contracts, costings, concept sketches, architectural drawings, reports, submissions and some photographs. Major projects documented in this series include the successive stages of the Queensland Cultural Centre, the Queensland Conservatorium of Music at South Bank, restoration of and extensions to St Stephen's Cathedral, and the Australian Parliament House design competition. The series also contains files of newspaper and journal articles relating to Brisbane architecture and projects for which Robin Gibson and Partners was responsible.

Sewing projects, patterns and dolls created by asylum seekers while held in detention on Naru and put on display in the exhibition And everyone was an optimist at the gallery Gabrielle Pizzi in 2005. Four satin covered cakes of soap.
53 pillows created for exhibition Sewing all the way to here at Shepparton Art Gallery in 2006.

This series is comprised of 38 x 35 mm colour negatives of a doll placed on a chair; 1 transparency, 8 x 5 cm, of a person with two dogs; 3 x 35 mm black and white negatives of a couples at a formal event; and 1 black and white photograph, 12 x 8 cm, of a child; 2 black and white transparencies with a note 'Nev and Heather a OPAL Conference'; 1 colour photograph with very faint writing on reverse that says 'Mrs Murphy' and in pen 'Taken by Francis [indecipherable] of London. All photographs are undated.

Newspaper cuttings related to Aboriginal and Torres Strait Islander causes and concerns.