Album of 52 albumen prints, (20 x 15cm) mounted on board. Written on the images in white capital letters are captions, a photographic number and the name of the photographic studio 'Kerry, Photo, Sydney'. Handwritten on the mounting boards are pencil captions, often with less information than the captions on the images and the photographic number supplied by Kerry crossed out and alternative numbering provided. The album itself has been bound and has a handwritten spine title stuck to it "Australian Aboriginal ceremonies". It looks to have been added to the album at a later date, thus not the original title of the album.

The images are of Australian Aboriginal people in what appears to be mostly staged poses for Australian Aboriginal ceremonies, corroborees, dance, tracking, fights as well as photographs of various individuals. Some of the photographs have painted backdrops. Some of the people in the photographs were members of "Meston's Wild Australia" (also know as Archibald Meston's "Wild Australia Show"). There are some photographs that were most likely taken in Sydney in December 1892 by Charles Kerry. This is based on the beach setting and the backdrops being identical to those photographs for Archibald Meston's "Wild Australia Show".

Listed below are the contents of the album. The number corresponds to the page number in the album; the tile is what appears on the image itself; and in brackets is the Kerry Studio photograph number and the alternative number if provided. Information in square brackets is provided by the processing archivist:

1. Aboriginal ceremony. Death of the deity (Kerry, Photograph number 2804 / 136). --
2. Leaving the bora ceremony (Kerry, Photograph number 2616). --
3. Crossing the mystic figures (Kerry, Photograph number 2614 / 137). --
4. Approaching the kings ground (Kerry, Photograph number 2615 / 138). --
5. Aboriginal ceremony "The sick warrior" (Kerry, Photograph number 2598 / 139). --
6. Aboriginal ceremony "Lying in wait" (Kerry, Photograph number 2608 / 140). --
7. Aboriginal ceremony "Death of the wild boar" (Kerry, Photograph number 2603 / 141). --
8. Aboriginal ceremony "Arrival of the king" (Kerry, Photograph number 2605 / 142). --
9. Aboriginal bora. "Waiting the decision of the king" (Kerry, Photograph number 2617 / 143). --
10. Aboriginal ceremony. "A duel to the death" (Kerry, Photograph number 2610 / 144). --
11. Aborigines worshiping figure of the deity (Kerry, Photograph number 2597 / 145). --
12. Arrival of the novices [unable to decipher writing on photograph] (Kerry, Photograph number 2611 / 146). --
13. Aboriginal ceremony "Warriors in ambush" (Kerry, Photograph number 2600). --
14. Aboriginal ceremony "Opening the Bora" (Kerry, Photograph number 2609 / 147). --
15. Aboriginal ceremony, "Spearing the wild bull" (Kerry, Photograph number 2599 / 148). --
16. Aboriginal corroboree "A battle" (Kerry, Photograph number 2586 / 149). --
17. Aboriginal ceremony "Following the footsteps of the deity" (Kerry, Photograph number 2606 / 150). --
18. Waiting for instructions ([Kerry, Photograph number] 2612 / 151). --
19. Aboriginals "Corroboree" (Kerry, Photograph number 2584). --
20. Aboriginal ceremony, "The Bora tree" (Kerry, Photograph number 2607 / 152). --
21. Aboriginal ceremony, "Spearing the Alligator" (Kerry, Photograph number 2601/ 153). --
22. Aboriginal ceremony, "Gathering wild bird eggs" (Kerry, Photograph number 2602 / 154). --
23. Aboriginals "Corroboree" (Kerry, Photograph number 2585 / 155). --
24. Aboriginal corroboree "Healing the sick warrior" (Kerry, Photograph number 2588 / 156). --
25. [Writing indecipherable] "Drafting sheep" (Kerry, Photograph number 2587 / 157). --
26. Aboriginals tracking ([Kerry, Photograph number] 2583 / 158). --
27. Corroboree Austn Aborigines [painted backdrop] (Kerry, Photograph number 1360 / 159). --
28. "Wermugga Dance" Austn Aboriginals [painted backdrop] (Kerry, Photograph number 1361 / 160). --
29. Aboriginals & Black Trackers (Kerry, Photograph number 1388 / 161). --
30. Group fighting men [painted backdrop] (Kerry, Photograph number 1391 / 162). --
31. Bora Corroboree (Kerry, Photograph number 1390). --
32. Aboriginal Corroboree (Kerry, Photograph number 1367). --
33. Fish Corroboree (Kerry, Photograph number 1393 / 163). --
34. Aboriginals & Black Trackers (Kerry, Photograph number 1378 / 164). --
35. Wermugga Corroboree (Kerry, Photograph number 1392 / 165). --
36. Aboriginals & Black Tracker (Kerry, Photograph number 1389 / 166). --
37. [Writing indecipherable on photograph] Group of Northern Territory natives (Kerry, Photograph number 1368). --
38. An Aboriginal fight (Kerry, Photograph number 2553). --
39. Aboriginals, upper Macleay River (Kerry, Photograph number 2162 / 167). --
40. Aboriginals, upper Macleay River (Kerry, Photograph number 2160). --
41. Aboriginals, upper Macleay River (Kerry, Photograph number 2161). --
42. Darling R. natives (Kerry, Photograph number 141). --
43. Aboriginal climbing tree (Kerry, Photograph number 2126 / 168). --
44. Aboriginal spearing fish (Kerry, Photograph number 2125 / 169). --
45. Native climbing with vine (Kerry, Photograph number 535). --
46. "Wharangoo". Aboriginal, Tenterfield District [painted backdrop] (Kerry, Photograph number 1989 / 170). --
47. "Borree", Aboriginal Chief, Jervis Bay (Kerry, Photograph number 2013). --
48. "Yenohan". Girl, Tumut Tribe, N.S.W. (Kerry, Photograph number 1899 / 171). --
49. Aboriginal women [painted backdrop] (Kerry, Photograph number 1914 / 172). --
50. Aboriginal girl, Brungle [painted backdrop] (Kerry, Photograph number 1913 / 173). --
51. Aboriginal warrior, Bellinger River (Kerry, Photograph number 2014). --
52. Aboriginal with Derri Head dress (Kerry, Photograph number 1371 / 174).

Content advice: Aboriginal and Torres Strait Islander peoples are warned that photographs may contain images of Aboriginal and Islander people now deceased. It may also contain historically and culturally sensitive words, terms and descriptions. The descendants' request was that the subjects of the photos be recognised as Wailwan. None of the descendants expressed any desire to censor or withdraw the photos from general viewing. In particular, women should be cautious when viewing the image as it includes some aspects of traditional Men's Business.

Photographs, correspondence, diaries, journals, newspaper cuttings, personal papers relating to the Bell Family, Jimbour Station, various Bell Family properties, Jimbour House, and its occupants.

Letter, survey, and discussion paper circulated by the Council for Aboriginal Development, a Canberra based organisation, possibly in 1979 on compulsory voting for Aboriginal and Torres Strait Islander peoples.

This carbon copy typescript recounts the story of Gaiarbau as told to Lindsay Winterbotham. In it Gaiarbau describes the form of tribal government, details of daily life, community, and relations with others outside of the community. This copy has many handwritten emendations. Illustrations consist of black and white photographs. Preface written by Norman B. Tindale. Index of contents is available at the end of the volume. Contents, as edited: Chapter I. The tribes and their areas, -- Chapter II. The Jinibara. -- Chapter III. Jinibara Tribal Goverment. [The Bora , and] Tribal Council [and Gundir]. -- Chapter IV. Daily Life. -- Chapter V. Community life. -- Chapter VI. Story Telling. -- Chapter VII. Conduct of fights and weapons used. -- Chapter VIII. Intertribal activities. Walkabout. -- Chapter IX. Pygmies (Dinderis).

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource contains mention of ceremony. It may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

This collection is comprised of correspondence by Dick, Elsie and Lindsay Roughsey; the manuscripts of Dick Roughsey; the manuscripts of Percy Trezise; and 20 original artworks by Goobalathaldin (Dick Roughsey) and Percy Trezise, many of which were proposed illustrations for The rainbow serpent (1979). It includes some explanatory notes by Fedora Fisher.

Manuscripts, correspondence, minutes, newspaper cuttings, ephemera, and photocopies from published items relating to Queensland Indigenous politics, campaigns and organisations. There is material about the Aboriginal and Islander Independent Community School in Brisbane; One People of Australia League; and accounts of Aboriginal and Torres Strait islanders events and activities around the 1982 Commonwealth Games and Musgrave Park in the 1980s.

Business and administrative records of The Women's Bookshop, Highgate Hill, Brisbane from its inception in 1984 to its sale in 1998. Includes financial records, promotional material, correspondence, publisher's catalogues, flyers, photographs, posters and ephemera. The poster collection is comprised of 341 posters (which includes 48 screen printed or hand coloured posters plus two copies of a 1993 calendar) which exhibit graphic design history and local / social history from 1984 to 1998.

Material includes: Queensland Labor Womens's History Collection 1890-1900, Queensland Women's Service Collection, Federal Council for Reconciliation - first and second agenda papers 1991-1996, selected issue files (environment and social policy development) 1893-1999, Margaret Reynolds speech files and press release 1983-1999, correspondence with Queensland ministers.

Correspondence, subscription orders, photographs, index and reviews related to the journal The Aboriginal Child at School.

Draft typescript article written by Richard Fotheringham for The Australian Literary Review which was published with the title 'Inside the killing fields of Queensland' on October 6, 2010, pp. 12-13. This article was written after the discovery of a memoir by Thomas Davis, father of Arthur Hoey Davis (aka "Steele Rudd"), which discussed massacres of Australian Aborigines in his time of working in Queensland in the 1800s. Fotheringham suggested the name of the manuscript.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.