Five architectural drawings (ink line drawings on paper). Title Block has architects as Conrad, Gargett and Partners. Thiedeke drew these drawings while working for Conrad, Gargett and Partners. Client: Tasmanian Government. Brief: Design and documentation of Tasmanian Government Tourist Bureau at 217 Queen Street, Brisbane. The concept was an open plan, open levels, pleasant working environment. It pioneered fire approval of open vertical connectivity between floors by using automatic smoke vents in the roof. It was regarded by some as the first 'post modern' building in Queensland. It was demolished in the 1990s as part of the Tattersal's expansion. Drawings numbers are: 14, 11, 12, 15 and 17.

Two architectural drawings (ink line drawings on paper). Client: New York film producer, Tibetan art collector. Brief: House that fuses cultures. The architecture of neighbouring regional towns often have Asian aesthetics. This experimental design, given a Japanese form, emerged as pure Mexican. Mexican pyramids are the base for temples and there are two 'temples': 1. living areas and 2. master bed, built on a stone pyramidal base, housing 2nd and 3rd bedrooms. The living room 'temple' structure was constructed from 80-year-old telephone poles.

Five architectural drawings (ink line drawing on paper, photocopied). Client: 'Casa Clapp', Retired American tea merchant. Brief: Design, documentation, construction; the brief was given to Thiedeke on the back of an envelope with the words 'Taj Mahal'. The building was never fully built. Working drawings sequentially numbered WD. 1 to WD.5. Dated Feb 1971.

Two architectural drawings (ink line drawings on paper, photocopied). Client: Philip Pittluck, New York accountant. Brief: Design, documentation and construction of a residence for a retired couple; Budget $40k. This was the second commission within the town centre that was designed by Thiedeke. With a cement shortage, Thiedeke used bovedas. The house replaced an adobe ruin. Footings were one metre of deep stone wall to absorb earthquake movement; walls were single brick infill, concrete ring beams top and bottom, concrete columns poured within wall thickness; and roof was brick vaulting.

Three drawings on paper (ink link drawings on coloured paper) for the Marks Residence. Brief: Contemporary interpretation of the authentic abode 'Pueblo' style. The site was in the old part of Santa Fe where 'Pueblo' houses still existed. Working drawings for construction were all free hand due to the geometry. Designed in clay, then drawn. It was commissioned on the basis of the model. Dates Nov 1971. Elevations, floor plans.

Three working drawings (ink line drawing on paper, photocopied). Client: John and Linda Keogh. Brief: Design, documentation and construction of a residence/studio for renowned Canadian puppeteers. This was the first architectural commission Thiedeke did in Mexico. Due to a cement shortages at the time, Thiedeke had to rethink the concrete roof as a semi circular brick vault (Boveda). This was achieved without formwork and finished within one week. Using bovedas revived a tradition that had all but disappeared. Working drawings sequentially numberd WD.1 to WD-3. Dated, 29 Jan 1970.

Eleven architectural drawings (ink line drawings on paper) stapled together as one volume. Title Block: Erickson Massey Architects. Client: Canadian Government. Brief: To present Canada to the world at Expo '70 [Expo (International Exhibitions Bureau) (1970 : Osaka, Japan)]. Thiedeke worked with Arthur Erickson, one of Canada's most prestigious architects, in the concept design phase of the project. Thiedeke described himself as the pencil to Erickson's mind and hand. Job no. 6703. 9 drawings have title block. Dated Mar to May 1968. All plans stapled together (staples removed).

Presentation volume set of four plans for King Neptune Restaurant, located on 2247 Granville Street, Vancouver. Drawn by GH and GJT for Erickson Massey Architects. Stapled together (staples removed). Client: Restauranteur. Brief: Concept design for a seafood restaurant; the essence being to capture of the character of timber wharf structures on the Fraser River; the ships, trains and piles of logs.

Three working drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 2, 3 and 6. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's second last project before leaving for Canada.

Four architectural drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 6, 8, 9 and 34. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's last project before leaving for Canada while working part-time at AH Conrad and TBF Gargett (now Conrad Gargett).