Three working drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 2, 3 and 6. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's second last project before leaving for Canada.

Client: Private developer. Brief: Design documentation and construction of -- Golf course and clubhouse, village centre, hotel, tennis club, children's resort, equine centre, detached unit clusters and a wedding chapel. The site was 60 ha. of rolling hills, forest and flood plain. For economic reasons the project stalled and the site was sold. Comprises one roll of 38 drawings from 1989 and another roll of 21 drawings from 1990.

Four architectural drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 6, 8, 9 and 34. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's last project before leaving for Canada while working part-time at AH Conrad and TBF Gargett (now Conrad Gargett).

Client: Tweed Gallery. Brief: A design competition for a new gallery to expand capacity, upgrade the existing gallery. Architect McKerrell Lych?. Project no. 1997-01.

Five architectural drawings (ink line drawings on tracing paper), varying sizes. No Title Block. One drawing of the railway line from Murwillumba to Condong, (ink line drawing on pieces of paper, approx 42 x 29 cm, sticky taped together totalling 42 x 4600 cm). Client: Private consortium. Brief: Concept for a tourist destination sugar mill experience, with an emphasis on the history of steam power and an economic boost to the area; as well as education on the principles and creation of a sustainable future in a fluctuating sugar market. The mill site was to be expanded to include a small village with a focus on tourism, retail, working steam museum, river tours and refurbishment of the abandoned short rail line to Murwillumbah.

Four pencil line drawings on tracing paper. Client: Residence for Keefe. Nerang River, Surfers Paradise. 1980. Concept plans. Unbuilt.

Five architectural drawings (ink line drawing on paper, photocopied). Client: 'Casa Clapp', Retired American tea merchant. Brief: Design, documentation, construction; the brief was given to Thiedeke on the back of an envelope with the words 'Taj Mahal'. The building was never fully built. Working drawings sequentially numbered WD. 1 to WD.5. Dated Feb 1971.

This file has 26 drawings:

Twelve working drawings (71 x 100 cm.), ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Brendan Edwards. Brief: Design and documentation of a three storey, beachfront complex of two x three bed apartments plus roof garden and basement. This was to be on the last undeveloped beach house site on Main Beach Parade. It was not built. Project number 814.83. Working drawings numbered: WD.01 to WD.08; WD.13 to WD.14; and WD27 to WD.28. Dated 10 Mar 1989 to 28 Aug 1989.

Fourteen drawings (sizes vary), pencil and coloured ink line drawings on tracing paper. No Title Block. Client: Brendan Edwards. Job: Duplex, 3567 Main Beach Parade. No project number. Undated.

Three working drawings (ink line drawing on paper, photocopied). Client: John and Linda Keogh. Brief: Design, documentation and construction of a residence/studio for renowned Canadian puppeteers. This was the first architectural commission Thiedeke did in Mexico. Due to a cement shortages at the time, Thiedeke had to rethink the concrete roof as a semi circular brick vault (Boveda). This was achieved without formwork and finished within one week. Using bovedas revived a tradition that had all but disappeared. Working drawings sequentially numberd WD.1 to WD-3. Dated, 29 Jan 1970.

From the Title Block: The Heather Thiedeke Group, architects and planners. Clients: Michael Edgely; Terry Page; Fultonborough Pty Ltd. . Brief: A beach house capable of entertaining visiting international cultural groups, especially the Moscow Circus and Russian Ballet. The inspiration for the design was primarily the sand castle. A sculptured form reflecting the contours of the beach landscape. The brief required the maximum utilisation of available site area, hence the 'box' configuration. It had a variety of owners and international celebrity guests in its 27-year lifespan. It was demolished in the last 2010s. Various Project numbers: 811-161, 811-224, 811-225. Schematic designs, Design development drawings, Marketing drawings, and Working drawings.