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Correspondence and Records relating to works of art, 1940s

Approximately 100 letters (including telegrams) from 29 Apr 1940 to 21 Nov 1949. Correspondents include: A.B. Burton; Public Library of New South Wales regarding the doors; Hennessy, Hennessy & Co.; Brisbane Crematorium; Moir & Sutherland; T.C. Davis (High Commissioner for Canada) regarding his purchase of "Blackie"; Rev. Colin C. Chittleborough of St. Jude's Rectory, Brighton; Queensland National Art Gallery regarding the "Lloyd Rees" Sculpture; David Jones' Art Gallery; Mary Corkery, Artists' Agent; Royal S.A. Society of Arts; John Eldershaw regarding the bust of Professor Duhig; Mary P. Harris; National Gallery of Victoria.

Student works

Lion Architectural ornament ca. 1911 (1 photograph); Winged victory 1912 (2 photographs Mayo standing next to sculpture); Hercules ca. 1913 (1 photograph); Study for life ca. 1912 (2 photographs); The castaway ca. 1913 (4 photographs); Little God pan ca. 1913 (2 photographs); Sketch group wresting ca. 1914 (1 photograph); Girl and crab ca. 1914-15 (1 photograph); Manson Bailey 1914-1915 ) (2 photographs); Baby head 1917 (2 photographs); Father Breen Memorial 1917 (3 photographs, one has a fold mark).

Writings from other authors

Authors sent their writings to Kath Walker, some in admiration, some for professional reasons. They may have been accompanied by correspondence that is filed elsewhere. Included is a thesis, prose, and poems.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource contains mention of mortuary and birthing customs of Aboriginal peoples around Millaa Millaa in The Story of Emily Purcell: an Aboriginal woman born about 1890. It also may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

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