Three ink line drawings on tracing paper. No Title Block, undated. Brief: Master plan for destination resort plus hotel, units, Tavern design. The tavern was to replace a demolished historic building and reinstate the original architectural form.

Two ink line and coloured pen drawings on paper dated, 10 Aug 1992; and 4 ink line drawings on tracing paper. No Title Block. Client: Residence for Mr. F. Remmele, Lot 8 Little Nerang Road Mudgeeraba, a South Australian 'Black Friday' bushfire survivor. Brief: Design for a single person. To be constructed as fireproof as possible. Thiedeke's research indicated an all Hebel structure would suit the client's brief. Hebel is precast aerated concrete produced in panels and blocks.

From the Title Block: The Heather Thiedeke Group, architects and planners. Clients: Michael Edgely; Terry Page; Fultonborough Pty Ltd. . Brief: A beach house capable of entertaining visiting international cultural groups, especially the Moscow Circus and Russian Ballet. The inspiration for the design was primarily the sand castle. A sculptured form reflecting the contours of the beach landscape. The brief required the maximum utilisation of available site area, hence the 'box' configuration. It had a variety of owners and international celebrity guests in its 27-year lifespan. It was demolished in the last 2010s. Various Project numbers: 811-161, 811-224, 811-225. Schematic designs, Design development drawings, Marketing drawings, and Working drawings.

Two architectural drawings (ink line drawings on paper). Client: New York film producer, Tibetan art collector. Brief: House that fuses cultures. The architecture of neighbouring regional towns often have Asian aesthetics. This experimental design, given a Japanese form, emerged as pure Mexican. Mexican pyramids are the base for temples and there are two 'temples': 1. living areas and 2. master bed, built on a stone pyramidal base, housing 2nd and 3rd bedrooms. The living room 'temple' structure was constructed from 80-year-old telephone poles.

Client: Private developer. Brief: Design documentation and construction of -- Golf course and clubhouse, village centre, hotel, tennis club, children's resort, equine centre, detached unit clusters and a wedding chapel. The site was 60 ha. of rolling hills, forest and flood plain. For economic reasons the project stalled and the site was sold. Comprises one roll of 38 drawings from 1989 and another roll of 21 drawings from 1990.

Four architectural drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 6, 8, 9 and 34. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's last project before leaving for Canada while working part-time at AH Conrad and TBF Gargett (now Conrad Gargett).

Client: Tweed Gallery. Brief: A design competition for a new gallery to expand capacity, upgrade the existing gallery. Architect McKerrell Lych?. Project no. 1997-01.

This file has a list of books written by Graeme Thiedeke from 1957 to 2019; sample of his project books; and incomplete samples of his books.

Twelve ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Catholic Parish of Surfers Paradise. The brief: master plan, design and documents. The Parish moved from central Surfers Paradise to Broadbeach Waters to accommodate future expansion. The church plan incorporated a radial layout with a sloping floor for optimum visibility and engagement. Includes sketch, working and marketing drawings for site plans, elevations, roof plans, landscaping, and site work.

Two architectural drawings (ink line drawings on paper, photocopied). Client: Philip Pittluck, New York accountant. Brief: Design, documentation and construction of a residence for a retired couple; Budget $40k. This was the second commission within the town centre that was designed by Thiedeke. With a cement shortage, Thiedeke used bovedas. The house replaced an adobe ruin. Footings were one metre of deep stone wall to absorb earthquake movement; walls were single brick infill, concrete ring beams top and bottom, concrete columns poured within wall thickness; and roof was brick vaulting.