Correspondence, incoming, from 1994:
1994 – 45 letters: Murray Bail (2); Geoffrey Dutton (1); Nick Enright (1); Elizabeth Jolley (1); Manoly Lascaris (1); David Rowbotham (1)
Phyllis Webb (4); Others (34).

Correspondence, incoming, from 1993:
1993 – 46 letters: Dymphna Clark (4); Don Dunstan (1); Geoffrey Dutton and Robin Lucas (1); Nin Dutton (2); Nick Enright (2); Kate Grenville (1); Thomas Keneally (23 Sep 1993); Others (34).

Correspondence, incoming, from 1992:
1992 – 36 letters: Luci Arrighi (1); Murray Bail (3); Alison Clark (2); Nin Dutton (1); David Marr (1); Others (28).

Correspondence, incoming, from 1969 to 1973:
1960 – 1 letter: Clem Christesen [Clement Byrne Christesen, editor of Meanjin], writing to another writer (probably Judith Green, later Rodriguez – see note below) about Malouf’s poems submitted for publication,
Note from AUSTlit: One of Malouf's friends, Judith Green (later Rodriguez), sent some of his early manuscript poems to Clem Christesen and one of them, published in Meanjin, was Malouf's first published verse.].

1967 – 1 letter: Christopher Edwards (29 Oct 1967 – ‘Today I am 12 years old’).

1969 – 4 letters :Lillian Roxon (3 May 1969); Frank W Thompson and Roger McDonald (UQP) – 3 letters.

1970 – 11 letters: Bruce Dawe (31 Mar, 8 Apr 1970); Geoff Lehmann (19 Nov 1970); Les Murray (7 Jul 1970); UQP (Roger McDonald) (30 Jan, 16 Feb, 20 Feb, 23 Jun 1970); Others (3).

1971 – 3 letters: John Blight (12 Jan 1971); Les Murray (12 Jan 1971); Lillian Roxon (10 Dec 1971)

1972 – 1 letter: Christopher Edwards.

1973 – 2 letters : Gough Whitlam (3 Apr 1973), inviting Malouf to become a foundation member of the Literature Board; Others (1)

Rehearsal notes for Voss, by Christopher Williams. Copy for David Malouf. [Note: Company notes on first performance of Voss, Adelaide, 1986, March]

Eight leaves of handwritten notes, and 54 leaves of typescript, with handwritten emendations for the opera Voss.

The file is comprised of: Early notes for dialogue, 2 leaves ; Letter to Richard Meale from Malouf, 1 leaf, 20 Jun 1979, with early dialogue notes on verso; Marked up copy of the Penguin Modern Classics 1960 published edition of Voss by Patrick White, sections of text marked in black pen, handwritten notes on last page and inside back cover.

Correspondence to David Malouf regarding the opera Voss:

1. Peter Hemmings to Malouf, 1p, 20 Mar 1979
2. Peter Hemmings to Malouf, 1p, 23 May 1979
3. Tim Curnow (Curtis Brown) to Malouf, 1p, 14 Jun 1979, includes two letters from Peter Hemming to Curnow
4. Antony Jeffrey to Malouf, 2p, 17 Aug 1979
5. Peter Hemmings to Malouf, 1p, 6 Sep 1979
6. Antony Jeffrey to Malouf, 1p, 18 Sep 1979
7. Jim Sherman to Malouf, postcard, 8 Oct 1979
8. Antony Jeffrey to Malouf, 1p, 13 Oct 1979
9. Richard Meale to Malouf, 2p, 13 Oct 1979
10. Richard Meale to Malouf, 2p, 16 Jun 1980
11. Antony Jeffrey to Malouf, 2p, 8 Jul 1980
12. Richard Meale to Malouf, 3p, 14 Mar 1981
13. Richard Meale to Malouf, 2p, 11 Aug 1981
14. Copy of letter from Moffatt Oxenbould, Artistic Administrator, Australian Opera to Tim Curnow regarding the contract for Voss, 1p, 2 Jun 1983
15. Richard Meale to Malouf, 1p, 4 Jul 1983
16. Stuart Challender to Malouf, 1p, 22 Apr 1986
17. Jim Sharman to Malouf, 4p, 29 Apr 1986

Handwritten letter (2 double sided pages) from Nora Smallwood to author with editorial suggestions attached (3 leaves).

Handwritten and typescript draft of Part II of Harland's Half Acre, handwritten emendations, white-out corrections, undated.