The Agriculture and Entomology Building was built in three stages. This file comprises three working drawings for Stage 3 and two other drawings. The working drawings have the job number of B7.B; are ink line drawings on tracing paper; have the title block with the client as The University of Queensland, St. Lucia for the Co-ordinator General of Public Works; have a running sequential drawing number from 1 to 3; and the architect is James Birrell and Partners. Working drawings are:

[Item 1] Plans, Sections, and Details; Job/drawing no. B7.B/W, dated 8 Oct 1970 (previously numbered A16.96);
[Item 2] Elevations, Job/drawing no. B7.B/W1, undated (previously numbered A16.37);
[Item 3] 'Elevations', Job/drawing no. B7.B/W2, undated (previously numbered A16.40).

Two additional drawing are:
[Item 4] Detail section, Location plan; ink line drawing on tracing paper; dated 29 Dec 1970 (no prior number); and
[Item 5] 'Hatch to roof in ceiling of north fire escpae : The Agriculture and Entomology Building'; ink line drawing on tracing paper; undated (no prior number)

Anthropological field notes and reports.

List of full or partial names of Aboriginal and/or Torres Strait Islander individuals mentioned in the file:

Conlon Family
Mrs Conlon and sons Percy Conlon, Arthur Conlon, George Conlon, Bill Conlon and daughter Winnie Conlon

Coumbo Family
Annie Coumbo, Venus Coumbo, Jack Coumbo, Jean Coumbo and Bertie Coumbo

Mrs Hopkins (sister of Jack)
Bob Eubbard / Hubbard [spelling uncertain]
Cerra Anderson
Elsie Goodchap (Wife of Wily)
Harry Willis
Jack Anderson
Maudie Bligh (wife of Martin B) and children; Mavis Bligh, Fred Bligh and Percy Bligh
Tommy Conlon
Tommy Norley
Topsy Norley

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource contains mention of Sorry Business. It also may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Includes: memo, notes, publishing examples and information relating to Norton Publishing, New York while Fitzgibbons was on her Fellowship, 1992 to 1993

New Residence drawing, working drawing number 9 of floor and site plans, drawn by GHP, for Glengarry Investments, Sep 1972. Accompanied by two preliminary working drawings, drawn by GHP, drawing numbers 4 and 6, 15 May 1972

Correspondence, book reviews for The tax inspector, faxes, itineraries, launch and promotional information, magazines, publisher catalogues, newspaper cuttings.

This file comprises cuttings from and photocopies of newspapers and magazines reviewing some of Peter Carey's writings as well as articles about the author.

Notes, story outlines and fragments, some of which have titles. Includes typescripts with the titles: 'The Botticelli stories'; 'The ice room'; 'K.L. Story'; 'Story: body sellers'; and 'Notes on life in the whorehouse'. Typescript where first line begins: 'Claire Schnier lay in a bed in ward 5...'; 'She had a face like someone who has come out of a sad movie....'; 'He tried to write stories about the people he knew...'; '1. The ride from the airport...'; 'I saw you today and now I'm home by myself...'; 'To truly appreciate paradise,...'. Several pages of Bliss. Also includes loose fragments.

Correspondence, newspaper cuttings and material related to properties associated with or important to Peter Carey such as Yandina, Browns Creek and Lovett Bay.

Three drawings mounted on card in folder titled Block of Flats

Other projects with R. Pavlyshyn's participation in varying roles.

Oversize Folder 7
Job Description
6.1 Public Morgue (Institute of Forensic Pathology), 1960.
6.1.1 Sketch plan (coloured), 61 x 55 cm.
6.1.2 Working drawings, 13 sheets, 80 x 70 cm., and cover sheet with perspective view.
6.2 Denominational chapels at Goodna Mental Hospital, plans.
6.3 Health and Welfare Building, 1965.
6.3.1 Perspective view, mounted, 46 x 60 cm.

Oversize Folder 8
Job Description
6.4.6 Plan of the Precinct area showing proposed ultimate development, 1:200, 70 x 210 cm. The proposal was developed in August 1974 in Chicago with the participation of two partners of Lund, Hutton, Ryan and Morton (LHRM), previously Lund Hutton Newell Paulsen (LHNP), and a team from Skidmore, Owings and Merrill (SOM) led by Walter Netsch. R. Pavlyshyn took part in discussions as the Department's nominee.
6.5.2.2.10 A Sculpture by Lindsay Daen: Jemmy Morrill and the Brolgas. Brochure on a sculpture presented to the Art Gallery in 1983.
6.5.2.2.11 Thirteen photographs of models of the Cultural Centre.
6.5.2.2.12 Performing Arts Complex under construction.
6.5.2.7 Queensland Cultural Centre, brochure (1985?) and program: Official Handover ofthe Commissioned Art Works, 8 May 1985.
6.5.2.8 Correspondence between Roman Pavlyshyn and Kate Gould on the history ofthe Queensland Performing Arts complex for the publication, Power, Jan, Setting the Stage: Queensland Performing Arts Complex. The First Ten Years, ed. Sue Gough, text development and research by Kate Gould (Brisbane: Boolarong Press, 1995). Appendices to R. Pavlyshyn's letter include the following reports: Performing Arts Complex: Report by the Users' Committee, April 1975, and Queensland Cultural Centre: Assessment of Needs and Priorities, April 1975. The book itself is in the books section of R. Pavlyshyn's materials.
6.6 *Parliament House development and restoration.
6.6.10 Cutting-off ceremony in Melbourne for the tapestry designed by John Coburn for the Parliamentary Annexe. Five photographs.
6.7 Government Office Buildings.
6.7.1 State Government Offices, comer of George and Charlotte Streets, Brisbane, 12 sheets
6.7.1.1 Coloured perspective.
6.7.1.2 Tracings (6 sheets, including cover sheet).
6.7.1.3 Prints (5 sheets, including cover sheet).