Correspondence, notes, financial data, and flyers for the lectures; minutes of Architectural History Group; and correspondence with the Design Arts Board. 1982-1985.

Largely arranged in chronological order for the year 1983, by the date and associated speaker for each lecture. Includes correspondence, financial data, travel and accommodation details.

Largely arranged in chronological order for the year 1984, by the date and associated speaker for each lecture. Includes correspondence, financial data, travel and accommodation details. Title on spine of original ring binder 'Architecture is a community art January - June 1984'.

Largely arranged in chronological order for the year 1985, by the date and associated speaker for each lecture. Includes correspondence, financial data, travel and accommodation details. Title on spine of original ring binder 'C.A.C 1985'.

Thirty-five flyers, 9 mockups/templates/publicity designs for flyers, and 17 posters (A2) for the Architecture is a Community Art public lectures.

Twelve ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Catholic Parish of Surfers Paradise. The brief: master plan, design and documents. The Parish moved from central Surfers Paradise to Broadbeach Waters to accommodate future expansion. The church plan incorporated a radial layout with a sloping floor for optimum visibility and engagement. Includes sketch, working and marketing drawings for site plans, elevations, roof plans, landscaping, and site work.

Four pencil line drawings on tracing paper. Client: Residence for Keefe. Nerang River, Surfers Paradise. 1980. Concept plans. Unbuilt.

From the Title Block: The Heather Thiedeke Group, architects and planners. Clients: Michael Edgely; Terry Page; Fultonborough Pty Ltd. . Brief: A beach house capable of entertaining visiting international cultural groups, especially the Moscow Circus and Russian Ballet. The inspiration for the design was primarily the sand castle. A sculptured form reflecting the contours of the beach landscape. The brief required the maximum utilisation of available site area, hence the 'box' configuration. It had a variety of owners and international celebrity guests in its 27-year lifespan. It was demolished in the last 2010s. Various Project numbers: 811-161, 811-224, 811-225. Schematic designs, Design development drawings, Marketing drawings, and Working drawings.

This file has 26 drawings:

Twelve working drawings (71 x 100 cm.), ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Brendan Edwards. Brief: Design and documentation of a three storey, beachfront complex of two x three bed apartments plus roof garden and basement. This was to be on the last undeveloped beach house site on Main Beach Parade. It was not built. Project number 814.83. Working drawings numbered: WD.01 to WD.08; WD.13 to WD.14; and WD27 to WD.28. Dated 10 Mar 1989 to 28 Aug 1989.

Fourteen drawings (sizes vary), pencil and coloured ink line drawings on tracing paper. No Title Block. Client: Brendan Edwards. Job: Duplex, 3567 Main Beach Parade. No project number. Undated.

Two architectural drawings (ink line drawings on paper). Client: New York film producer, Tibetan art collector. Brief: House that fuses cultures. The architecture of neighbouring regional towns often have Asian aesthetics. This experimental design, given a Japanese form, emerged as pure Mexican. Mexican pyramids are the base for temples and there are two 'temples': 1. living areas and 2. master bed, built on a stone pyramidal base, housing 2nd and 3rd bedrooms. The living room 'temple' structure was constructed from 80-year-old telephone poles.