Typescript of article "Pearl Gatherers of the Torrens [sic] Strait Islands" which is a short account by Jean Williams of the development of the Pearling Industry from 1863 in North Queensland. Includes list of vessels which were used in the period 1860-1870s, giving their description, type and Master's name. Accompanied by three sepia toned photographs of soliders, Torres Strait Islanders on Moa Island, and two Papua New Guinean women from the Omati River.

Newspaper cuttings, letters, handpainted envelopes, map, and notes by or related to the work of Margaret Thorsborne. The handpainted envelopes are all addressed to Kathleen McArthur with captions, some with letters.

Documents and correspondence relating to the 'Doc Robbie Memorial Benches', 1990-1994.
Includes a photograph of the site chosen for the benches, the initial appeal for funds, correspondence from contributors with reminiscences of Doc Robbie, and information on the dedication ceremony held on 15 October 1993.

Photographs by Joel Higham of productions of Macbeth (April-May 2005) and As You Like It (May-June 2005) (digital print-outs and 2 DVDs) : 10 images for each production. Also programs for 1995 productions of Hamlet and Antony and Cleopatra; and booking form from 1995.

30 engraved bookplates by the Australian artist David Frazer. Accompanied by a checklist of the bookplates (4 p.) and a curriculum vitae of the artist (3 p.). Estimated date range: 1996-2004.

One compact disc with photographs of productions of 'As You Like It', 'Pericles', 'Coriolanus' and 'The Madness of King Lear'; programs of 'The Two Gentlemen of Verona', 'Coriolanus' and 'The Madness of King Lear' and advertising flyers for 'The Two Gentlemen of Verona' and 'Coriolanus'.

Programs, flyers, photographs, posters and newspaper cuttings re: Shakespearian and other productions.

Handwritten letter from James O'Neil Mayne to 'My dear Mr Mayor', William Alfred Jolly, thanking him for a photograph of St Lucia and discussing his aspirations for the University site. Double sided letter on 1 sheet, 16 cm, on 'Moorlands. Toowong' letterhead. Signed by James Mayne. Dated 22 Nov 1927. Accompanied by press cuttings about the donation of the letter to the Fryer Library by Redland Museum.

Foco Membership card, newspaper cuttings (original and photocopies) of articles relating to the Foco Club, opening night circular, 'Foco Lives' poster. Also includes material related to the 1985 Foco event: poster for reunion of Foco Club in February 1985, newspaper cuttings, workbook, and notes related to the 1985 event.

Material copied from the originals held in the Huntington Library. Included in this file is the photocopy of holograph inscriptions in Ada Cambridge works, formerly part of the library of James Carleton Young:

• Photocopy of cover, library catalogue card and title page for A Happy marriage, London : Hurst and Blackett, 1906, with the inscription on the title page: Not, of course, ones ideal happy marriage - far from it - but representing, as I think, the general type of happy marriage that we actually see & know. Ada Cross ("Ada Cambridge"), March 1907.
• Photocopy of cover, library catalogue card and title page for Fidelis : a novel, 4th ed., London : Hutchinson, n.d., with an inscription on the half title page: An illustration of a theory which a long study of human nature seems to have confirmed - that a conspicuous lack of physical attractions is (to the healthy-minded in aspiring) more helpful to character and success in life than beauty. Ada Cambridge. March 16th 1907.
• Photocopy of cover, library catalogue card and title page for Path and Goal, London : Methuen, 1900, with an inscription on the half title page: That what is perhaps my favourite novel (of my own creation) should find its permanent home in the United States - where I have long believed that the standards of literary culture, workmanship and taste are the highest and most stable of any in the world - is to me the greatest public honour as well as personal gratification that my profession as a writer has brought me. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia, 1907.
• Photocopy of cover, library catalogue card and title page for Not all in vain, Melbourne : Melville, Mullen & Slade, 1892, with the inscription on the title page: The Australian edition of this book is substituted for the unwieldy 3 volumes of the original English issue. The work belongs to the full and happy earlier years of my literary life, and marks the period at which I was definitely received into the ranks of British novelists - Ada Cambridge. March 17th 1907.
• Photocopy of cover, library catalogue card and title page for A marked man : some episodes in his life, Popular edition, London : William Heinemann, 1894, with inscription on half title page: This book laid the foundation of such literary reputation as I have enjoyed since its publication in 1891, it being my first to attract public attention in England. I think it can also claim the [indecipherable] of being amongst the first of British works to obtain copyright in the United States. The "Queenslanborougher" [? indecipherable] of the story is reminiscent of a villager - afterwards this villages, one a [?] watering-place - on the east of [?] (my native country0, where many happy summers of my childhood were spent. The "Camp" existed as described and [?] me many years ago. Its 'site' is new thickly built [?], included in the spreading [?] of suburban Sydney. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia. March 15th 1907.
• Photocopy of cover, library catalogue card and title page for The Three Miss Kings, London : William Heinemann, 1899, with inscription on half title page: This novel, although not my first to appear in book form, was the first written of the series published in London and New York, beginning with "A Marked Man" in 1891. It immediately followed the latter book, having been a serial in 'The Australasian' so long before [?] 1883. I considered it, by reason of its [?] ineligible for an honour. I should not myself have and might for it, but it had passed from my possession and control before "A Marked Man" established me as a British author, and I believe, it has had a larger circulation and been more generally read than any of its successors. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia April 5th 1907.
• Photocopy of cover, library catalogue card and title page for Unspoken thoughts, London : Kegan, Paul, Trench & Co., 1887, with inscription on fly leaf: This little work may be described as an ebullition of untempered grath [?]. Twenty years ago I published it at my own expense - merely as a relief to a brooding mind, grown morbid, apparently, from physical ill health and too much solitary meditation not intending that the [?] be [?] home to me. Of course, the carefully planned ambiguity could not be maintained, and the [?], from a professional point of view, was a failure - the absence of a [?] meant the absence of public notice and when in 1891 the bulk of the tiny edition "remained", and it was proposed to me to sell it for what it would fetch, I exercised my right as owner to have every copy destroyed. The book therefore has the merit - wh in my riper and calmer years I highly appreciate - of being extremely rare. Ada Cambridge. The Vicarage, Williamstown, Victoria. Australia. April 5th 1907.
• Photocopy of a manuscript volume of poems, titled 'Poems by Ada Cambridge', 66 leaves, versos blank, with title page, two-page inscription to James Carleton Young, index listing poems. Poems: The souls' sanctuary, A prayer, Cui Bono, Sic vos mon vobis, Evening on the Broads, The Virgin Martyr, Mates, The winged mariners, Tomorrow, Nightfall on Australian hills, What of the Night?, Sonnets: - Influence, Despair, Faith, Peace.