Album of 29 sepia photographs (15.5 x 11 cm mounted on boards).

Album of twenty-four albumen prints (20 x 25 cm) mounted on boards. Views include public buildings, University of Sydney, some inner suburbs, and views of the bays. Some photos with caption. With handwritten inscription: "Presented to our friend L.A. Bernays, Brisbane, 26 August 1876. E. L. Montefiore, Jules Joubert, Commissioners for N. S. Wales at Queensland Exhibition"

Album of 53 sepia photographs of Samoan people and scenery, (20 x 15cm) mounted on board. Most photographs are captioned, numbered and annotated with imprint of Kerry Photo Sydney. Some have additional pencilled numbering on boards.

Album of 56 sepia photographs (various sizes) of scenery and landmarks in Italy, London, Ceylon, Belgium and along the Suez Canal, with reproductions of some famous statues in Italy and Belgium. Circa 1900.

Album contains 104 photographs of Stodart family, Melbourne, Egypt, Batavia, no. 3 S.M. Coy Corps of Australian Engineers, Brisbane during the 1898 flood, Enoggera Creek and the early operations of Enoggera Reservoir, federation celebrations in Sydney, Lord Houptoun, federation proclamation in Brisbane, and the visit of the Duke of Cornwall and York to Brisbane.

Sepia and black and white photographs (various sizes) mounted on board. Some photographs have captions. Inscribed inside front cover: 'Nina Stodart with love from F.S. 18.5.05'.

Album 20 photographs (26 x 35 cm and smaller) of Rugby Union football teams and matches, 1879-1890. Most teams are from Brisbane, some are from New South Wales and overseas. Teams include Brisbane Football Club, Intercolonial Queensland and New South Wales teams, Wanderers, All England team, Wallaroo Football Club, Emu Football Club, Combined Juniors and All England Club, Wasps and Arfomas.

Sepia photographs (various sizes) mounted on board. Some photographs have handwritten captions identifying players.
Includes a proof of an ink and pen drawing with caption: "NB The top part represents Fall's & Rocks. The bottom scratches are the boy's", and two newspaper cuttings on the Pioneers of Moreton Bay. Green album engraved with gold and word Album written on cover.

Album of sepia photographs by Thomas Foster Chuck. Album has a captioned page for each scene of Melbourne but only six photographs are in this album. These photographs are: Post Office Melbourne (Chuck photo 33), The Treasury (Chuck photo 19), University Melbourne (Chuck photo 59), Public Library (Chuck photo 54), Bourke St (looking east) (Chuck photo 35), and one uinidentified scene of a river.

57 sepia studio portraits (Cabinet cards), 2 photographs of Hector William Harris and William Henry Harris, plus one letter card views of Pitlochry no. 2. No details supplied with photographs. Photographs come from mostly Victorian studios, including Geelong, Colac, Ballarat and Melbourne.

Album of twelve sepia photographs of views of North Queensland including Cairns, Herberton, Barron George, Barron Falls, Hambledon and railways in the area. Title handwritten inside album. Album is undated. A handwritten list of captions and supplied item numbers has been inserted prior to the title page. Most photographs appear to be around the construction of the railway to Herberton which began in Cairns in 1886. It finished in Ravenshoe in 1916.

Written on the inside cover the album, presumably by the seller: "In. [Inventory] 5033. Royal Qto. Oblong Purple toned. 10 [shillings]". These type of photographs were often taken by the Queensland Government.

Each photo has caption, supplied information is included in square brackets:

1. Glacier Rock . --
2. [Cairns-Herberton railway] From 28 bridge. --
3. Surprise Creek bridge [Cairns-Herberton railway]. --
4. Cairns end of long tunnel. --
5. The Barron Gorge. --
6. Herberton end of the tunnel. --
7. Near the Barron. --
8. Barron Falls. --
9. Aborigines of Cairns-Herberton district. --
10. Kanaka women working in sugar cane. --
11. Hambledon Sugar Plantation Cairns, general views. --
12. Hoeing weeds in young cane.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this manuscript may contain images or names of Aboriginal and Islander people now deceased.

Album of 52 albumen prints, (20 x 15cm) mounted on board. Written on the images in white capital letters are captions, a photographic number and the name of the photographic studio 'Kerry, Photo, Sydney'. Handwritten on the mounting boards are pencil captions, often with less information than the captions on the images and the photographic number supplied by Kerry crossed out and alternative numbering provided. The album itself has been bound and has a handwritten spine title stuck to it "Australian Aboriginal ceremonies". It looks to have been added to the album at a later date, thus not the original title of the album.

The images are of Australian Aboriginal people in what appears to be mostly staged poses for Australian Aboriginal ceremonies, corroborees, dance, tracking, fights as well as photographs of various individuals. Some of the photographs have painted backdrops. Some of the people in the photographs were members of "Meston's Wild Australia" (also know as Archibald Meston's "Wild Australia Show"). There are some photographs that were most likely taken in Sydney in December 1892 by Charles Kerry. This is based on the beach setting and the backdrops being identical to those photographs for Archibald Meston's "Wild Australia Show".

Listed below are the contents of the album. The number corresponds to the page number in the album; the tile is what appears on the image itself; and in brackets is the Kerry Studio photograph number and the alternative number if provided. Information in square brackets is provided by the processing archivist:

1. Aboriginal ceremony. Death of the deity (Kerry, Photograph number 2804 / 136). --
2. Leaving the bora ceremony (Kerry, Photograph number 2616). --
3. Crossing the mystic figures (Kerry, Photograph number 2614 / 137). --
4. Approaching the kings ground (Kerry, Photograph number 2615 / 138). --
5. Aboriginal ceremony "The sick warrior" (Kerry, Photograph number 2598 / 139). --
6. Aboriginal ceremony "Lying in wait" (Kerry, Photograph number 2608 / 140). --
7. Aboriginal ceremony "Death of the wild boar" (Kerry, Photograph number 2603 / 141). --
8. Aboriginal ceremony "Arrival of the king" (Kerry, Photograph number 2605 / 142). --
9. Aboriginal bora. "Waiting the decision of the king" (Kerry, Photograph number 2617 / 143). --
10. Aboriginal ceremony. "A duel to the death" (Kerry, Photograph number 2610 / 144). --
11. Aborigines worshiping figure of the deity (Kerry, Photograph number 2597 / 145). --
12. Arrival of the novices [unable to decipher writing on photograph] (Kerry, Photograph number 2611 / 146). --
13. Aboriginal ceremony "Warriors in ambush" (Kerry, Photograph number 2600). --
14. Aboriginal ceremony "Opening the Bora" (Kerry, Photograph number 2609 / 147). --
15. Aboriginal ceremony, "Spearing the wild bull" (Kerry, Photograph number 2599 / 148). --
16. Aboriginal corroboree "A battle" (Kerry, Photograph number 2586 / 149). --
17. Aboriginal ceremony "Following the footsteps of the deity" (Kerry, Photograph number 2606 / 150). --
18. Waiting for instructions ([Kerry, Photograph number] 2612 / 151). --
19. Aboriginals "Corroboree" (Kerry, Photograph number 2584). --
20. Aboriginal ceremony, "The Bora tree" (Kerry, Photograph number 2607 / 152). --
21. Aboriginal ceremony, "Spearing the Alligator" (Kerry, Photograph number 2601/ 153). --
22. Aboriginal ceremony, "Gathering wild bird eggs" (Kerry, Photograph number 2602 / 154). --
23. Aboriginals "Corroboree" (Kerry, Photograph number 2585 / 155). --
24. Aboriginal corroboree "Healing the sick warrior" (Kerry, Photograph number 2588 / 156). --
25. [Writing indecipherable] "Drafting sheep" (Kerry, Photograph number 2587 / 157). --
26. Aboriginals tracking ([Kerry, Photograph number] 2583 / 158). --
27. Corroboree Austn Aborigines [painted backdrop] (Kerry, Photograph number 1360 / 159). --
28. "Wermugga Dance" Austn Aboriginals [painted backdrop] (Kerry, Photograph number 1361 / 160). --
29. Aboriginals & Black Trackers (Kerry, Photograph number 1388 / 161). --
30. Group fighting men [painted backdrop] (Kerry, Photograph number 1391 / 162). --
31. Bora Corroboree (Kerry, Photograph number 1390). --
32. Aboriginal Corroboree (Kerry, Photograph number 1367). --
33. Fish Corroboree (Kerry, Photograph number 1393 / 163). --
34. Aboriginals & Black Trackers (Kerry, Photograph number 1378 / 164). --
35. Wermugga Corroboree (Kerry, Photograph number 1392 / 165). --
36. Aboriginals & Black Tracker (Kerry, Photograph number 1389 / 166). --
37. [Writing indecipherable on photograph] Group of Northern Territory natives (Kerry, Photograph number 1368). --
38. An Aboriginal fight (Kerry, Photograph number 2553). --
39. Aboriginals, upper Macleay River (Kerry, Photograph number 2162 / 167). --
40. Aboriginals, upper Macleay River (Kerry, Photograph number 2160). --
41. Aboriginals, upper Macleay River (Kerry, Photograph number 2161). --
42. Darling R. natives (Kerry, Photograph number 141). --
43. Aboriginal climbing tree (Kerry, Photograph number 2126 / 168). --
44. Aboriginal spearing fish (Kerry, Photograph number 2125 / 169). --
45. Native climbing with vine (Kerry, Photograph number 535). --
46. "Wharangoo". Aboriginal, Tenterfield District [painted backdrop] (Kerry, Photograph number 1989 / 170). --
47. "Borree", Aboriginal Chief, Jervis Bay (Kerry, Photograph number 2013). --
48. "Yenohan". Girl, Tumut Tribe, N.S.W. (Kerry, Photograph number 1899 / 171). --
49. Aboriginal women [painted backdrop] (Kerry, Photograph number 1914 / 172). --
50. Aboriginal girl, Brungle [painted backdrop] (Kerry, Photograph number 1913 / 173). --
51. Aboriginal warrior, Bellinger River (Kerry, Photograph number 2014). --
52. Aboriginal with Derri Head dress (Kerry, Photograph number 1371 / 174).

Content advice: Aboriginal and Torres Strait Islander peoples are warned that photographs may contain images of Aboriginal and Islander people now deceased. It may also contain historically and culturally sensitive words, terms and descriptions. The descendants' request was that the subjects of the photos be recognised as Wailwan. None of the descendants expressed any desire to censor or withdraw the photos from general viewing. In particular, women should be cautious when viewing the image as it includes some aspects of traditional Men's Business.