Three ink line drawings on paper. From the Title Block: AH Conrad & TBF Gargett. Client: Anglican diocese of Brisbane. Brief: Design and documentation. Completed during Thiedeke's fourth year (of a six year course) of architectural studies with the firm AH Conrad & TBF Gargett (aka Conrad Gargett). Conrad Gargett practised active engagement and on site training for their intern students. This was Thiedeke's first project from concept to finished building, including specification and contract administration. It was influenced by Frank Lloyd Wright. It received an Enduring Architecture award in 2018. The structure was steel frame, stone clad walls and copper roof sheeting. It was built in 1964. Also called the Chapel of the Good Shepherd, it is at 39 Eldernell Terrace, Hamilton, Queensland.

Three working drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 2, 3 and 6. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's second last project before leaving for Canada.

Twelve ink line drawings on tracing paper. From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Catholic Parish of Surfers Paradise. The brief: master plan, design and documents. The Parish moved from central Surfers Paradise to Broadbeach Waters to accommodate future expansion. The church plan incorporated a radial layout with a sloping floor for optimum visibility and engagement. Includes sketch, working and marketing drawings for site plans, elevations, roof plans, landscaping, and site work.

222 colour photographs and 15 colour negatives from the construction of the Edgley Residence at 47 Hedges Avenue, Mermaid Beach, Gold Coast.

Three drawings (ink line drawings on tracing paper) of perspectives with no title block information. Project no. 320.96 New Offices. Eight working drawings (ink line drawings on tracing paper). From the Title Block: The Heather Thiedeke Group, architects and planners. Client: Herron Todd White, Carrara Street, Benowa. Brief: Two storey commercial offices; 'Formal' Australian character. Design, documentation and construction, incorporating sustainability principles. These included natural light and ventilation to every space due to a central garden courtyard. The character request was achieved with a GI roof, large overhangs, Helidon sandstone elements and an 'arbour' style porte cochere.

Comprises two sets of drawings:

Twelve working drawings (11 are ink line drawings on tracing paper, 1 is a photocopy) + one sketch drawing. Dated 1980. Architects from Title Block are the Davis Heather Group. Client: Col and Virginia Taylor. Location was at Pelican Point, Terranora. Brief: Design, documentation and construction of a three bed, twp bath hillside sanctuary overlooking Pelican Point in Terranora Inlet; the architecture was to evoke a sculptural quality. The site was an old state cattle dip, the form of which partially inspired the architecture. It was the only house on the east side of the road up from Tweed Heads. The roof profile was inspired by the shape of a pelican's wing. The form maximised the panoramic views from every room. It won two awards, which included a design award in 1984.

Eight concept drawings, various sizes, undated, no title block.

Four architectural drawings (ink line drawings on paper) with staple marks along left side edge. Architects from Title Block: AH Conrad and TBF Gargett. Drawn by GJT. Sheets no. 6, 8, 9 and 34. Client: ANZ Bank. Brief: Design and documentation for construction of a branch bank. This was Thiedeke's last project before leaving for Canada while working part-time at AH Conrad and TBF Gargett (now Conrad Gargett).

Three working drawings (ink line drawing on paper, photocopied). Client: John and Linda Keogh. Brief: Design, documentation and construction of a residence/studio for renowned Canadian puppeteers. This was the first architectural commission Thiedeke did in Mexico. Due to a cement shortages at the time, Thiedeke had to rethink the concrete roof as a semi circular brick vault (Boveda). This was achieved without formwork and finished within one week. Using bovedas revived a tradition that had all but disappeared. Working drawings sequentially numberd WD.1 to WD-3. Dated, 29 Jan 1970.

Two architectural drawings (ink line drawings on paper, photocopied). Client: Philip Pittluck, New York accountant. Brief: Design, documentation and construction of a residence for a retired couple; Budget $40k. This was the second commission within the town centre that was designed by Thiedeke. With a cement shortage, Thiedeke used bovedas. The house replaced an adobe ruin. Footings were one metre of deep stone wall to absorb earthquake movement; walls were single brick infill, concrete ring beams top and bottom, concrete columns poured within wall thickness; and roof was brick vaulting.

From the Title Block: The Heather Thiedeke Group, architects and planners. Clients: Michael Edgely; Terry Page; Fultonborough Pty Ltd. . Brief: A beach house capable of entertaining visiting international cultural groups, especially the Moscow Circus and Russian Ballet. The inspiration for the design was primarily the sand castle. A sculptured form reflecting the contours of the beach landscape. The brief required the maximum utilisation of available site area, hence the 'box' configuration. It had a variety of owners and international celebrity guests in its 27-year lifespan. It was demolished in the last 2010s. Various Project numbers: 811-161, 811-224, 811-225. Schematic designs, Design development drawings, Marketing drawings, and Working drawings.