Pencil on paper. Hand study (63 x 48 cm), window mounted (86 x 63 cm), which formed part of the Queensland Art Gallery Exhibition Daphne Mayo : let there be sculpture, Nov 2011 to Jan 2012.

27 photographic works: Model of a boy 1921 and Headless Female Figure 1921 (Headless female figure is photographed with Model of a boy; 1 photograph and 6 negatives); Students head A & B (7 photographs); Grecian woman ca. 1923 (1 photograph); Female life study 1922 (9 photographs/negatives); Female life study 1923 (2 photographs); Female life study 1923 (1 photograph).

Portrait bust of female student's head. Medium: plaster, patinated. Inscribed on lower right side: D. Mayo / 1924? (last number unclear)

Letters, telegrams and postcards sent to Daphne Mayo between 23 Dec 1914 and 11 Sep 1924. Not all years have correspondence. Correspondents include: Frank (several letters), Aunt Rose, The Brecknock Studios, 'Dick' (Daphne's brother Richard Mayo, to 'Doodles') (2 letters 1922, 1 undated), Connie, Matthew Nathan (telegram from 13 Dec 1923), and five letters from Kathleen [Walker?] (aka 'Gabriel').

Foolscap notebook printed with lesson evalution checklists. Lesson information has been handwritten in pencil for most of the volume. Dates a few pages are: 15 Aug 1923 and 21 May 1924.

26 photographic works: Male life study ca. 1923 (10 photographs, 7 negatives. One photograph includes Students head with Male life study); Return of the Prodigal Son ca. 1923; Portrait bust of a Young Man ca. 1922-23; Portrait of Freddie Whitehouse 1925 (2 negatives, 2 prints).

This file includes photographs of Lila Mary Mayo and William Mayo and one of Vida Lahey painting.

13 portraits of Sir Nathan, 2 of sculptures.

Passport.

On paper. Drawings done in Europe as a travelling scholar of the Royal Academy