Sixteen postcards written by Gwen Harwood to Alexander Craig in 1962. Most of them marked by Gwen Harwood as 'Sappho cards': These cards have illustrations cut from Victorian and Edwardian books and magazines, some with conversation bubbles or annotations. Some postcards have poems by Harwood.

Item 1: 20 Jan 2019
Item 2: 23 Jan 1962
Item 3: 2 Feb 1962
Item 4: 7 Feb 1962
Item 5: 9 Mar 1962 (postmark date)
Item 6: 13 Mar 1962 (postmark date)
Item 7: 13 Mar 1962 (written date)
Item 8: 30 Mar 1962
Item 9: 3 May 1962
Item 10: 14 May 1962
Item 11: 18 May 1962
Item 12: 21 May 1962
Item 13: 1 Jun 1962
Item 14: 9 Jun 1962
Item 15: 13 Dec 1962
Item 16: 26 Dec 1962

Ephemera relating to the work of Ken Campbell-Dobbie. Includes leaflets for: 'The playbox - burnt but boyant' with The Playbox Progress, Feb 1984; 'Metamorphosis : a classic workshop theatre company'; 'Brecht on Brecht' at The Hole in the Wall Theatre (1982); 'Phaedra'; 'My name is Pablo Picasso', performance schedule (1982); 'My name is Pablo Picasso' (1984); 'Uncle Vanya' at The Hole in the Wall Theatre (1981); 'Ring round the moon' (1981?); 'Spring awakening' (1980); two different flyers for 'Commission : a theatrical anthology of poetry' ; photocopied article from Artlook, June 1980; and one leaf with two photocopied newspaper cuttings.

Handwritten letter from David Malouf answering three questions that Yvonne Smith had asked: how did An Imaginary Life first come to be published; how were Fly Away Peter and Child's Play published; and in writing Johnno ( what was the possible influence of Peter Paul Ruben's painting The Return of the Peasants from the Fields. As the questions were not included in Malouf's response, Smith has provided a transcript of the handwritten letter with the questions included. Typed transcript of the Diary of David Malouf written while writing Child's Play, Fly Away Peter, and short stories in January / February 1981. The handwritten version of this transcript was shared with Malouf over lunch and he shared information about the content which Smith has included as footnotes.

Three typescripts by J. J. C. Bradfield, presented as part of the John Thomson Memorial Lectures at the University of Queensland in 1918. The first lecture, on the Murrumbidgee Irrigation Scheme, was delivered in two parts on 26 July 1918 and 2 August 1918 respectively. The first part is titled 'Burrinjuck Dam, weirs and regulators, main canals'. The second part is titled 'Water system on the irrigation areas, irrigation settlements and townships; the development of the farming, dairying, and fruit growing industries on the areas, with establishment of factories for the treatment of farm produce'. The second lecture, undated except for the year 1918, is titled 'Principles governing the location and design of the Sydney city (underground) railway'. Three typescripts originally held together with metal fasteners in a bound binder folder. Lectures separated by linen paper inserts and original typed title pages that state the lectures were delivered at 'Brisbane University'.

Material produced by the United Aboriginal and Islander Christian Congress (UAICC) March 88 Committee for the march in Sydney to protest the Australian Bicentenary celebrations in 1988.

Approximately 630 minutes of recorded interviews between Oodgeroo Noonuccal and Julianne Schwenke relating to Oodgeroo's life, work and worldview. The interviews were originally recorded as part of Schwenke's PhD research.