Album containing 83 black and white, sepia-toned and coloured photographs and prints, including chromolithograph and Photocrom prints, of various sizes mounted on boards. The album belonged to the Mayne family. Some photographs have printed captions and/or studio imprints. Studios represented include Francis Ellis & W. Hayward (London), Detroit Photographic Company, and G. Brogi. None of the photographs or prints are dated. Some boards are blank.

The photographs feature: European scenery, mostly in France; reproductions of artworks, including The Blind Beggar by Josephus Laurentius Dyckmans, The Maid and the Magpie by Samuel Cousins (after Edward Landseer), Venus de Milo, Circe And Her Swine by Briton Rivière, The Valley of the Llugwy by Benjamin Williams Leader, A Woman and a Fish-pedlar in a Kitchen by Willem van Mieris, The Broken Pitcher by Jean-Baptiste Greuze, The Girl at the Gate by Sir George Clausen, Dignity and Impudence by Sir Edwin Landseer, The Return of Judith with the Head of Holophernes by Sandro Botticelli, and Fortitude, also by Sandro Boticelli; portraits of Native Americans, including Ute Chief Severo and his family; views of Manhattan, New York City, some by William Henry Jackson; and views of North Queensland, including Barron Falls, Fig Tree, Herberton, and the Hanging Rock at Chillagoe. Also includes one photograph of an unidentified Australian homestead, possibly in Queensland, depicting Aboriginal Australian and non-Aboriginal individuals, along with an emu, on the verandah.

Typescript leaflet appealing for a 'yes' vote on 27 May 1967 as part of the Referendum to amend the Constitution to remove references within the Constitution that discriminate against Aboriginal peoples. Provides information on some of the proposed amendments, such as the inclusion of Aboriginal peoples in the census and the ability for the federal government to create and enact laws for Aboriginal peoples. Front page features a black and white print of a photograph of a pair of children, possibly Aboriginal. Verso features another print of a group of girls, possibly Aboriginal. A statement at the foot of the verso states the leaflet was "authorised by Mrs. Kath Walker, Qld. Secretary, Federal Council for Advancement of Aborigines and Torres Strait Islanders (FCAA) and Secretary, Qld. Council for the Advancement of Aborigines and Torres Islanders (QCAATI)".

Group of approximately twelve Aboriginal Australian children, adolescents and adults standing unposed at a funeral at Cherbourg Aboriginal Settlement. Standing among them is a non-Aboriginal woman, possibly Caroline Kelly.

Row of elevated timber cottages at Cherbourg Aboriginal Settlement.

Full-length portrait of an Aboriginal Australian man, his body decorated with paint, standing on one leg and holding a spear. Label numbered '689'.

Full-length portrait of an Aboriginal Australian woman with a little boy and a little girl standing either side of her, at Cherbourg Aboriginal Settlement.

Facade of an elevated timber cottage and front yard at Cherbourg Aboriginal Settlement.

Approximately eleven Aboriginal Australian children sitting on the steps of a timber dwelling, possibly the boys dormitory, at Cherbourg Aboriginal Settlement.

The backs of approximately four Aboriginal Australian men and women standing graveside, as well as a group of Aboriginal women in hats watching on from the left of the frame. Taken at Cherbourg Aboriginal Settlement.

The backs of six Aboriginal Australian men, some decorated with body paint, standing graveside at Cherbourg Aboriginal Settlement.