Material copied from the originals held in the Huntington Library. Included in this file is the photocopy of holograph inscriptions in Ada Cambridge works, formerly part of the library of James Carleton Young:

• Photocopy of cover, library catalogue card and title page for A Happy marriage, London : Hurst and Blackett, 1906, with the inscription on the title page: Not, of course, ones ideal happy marriage - far from it - but representing, as I think, the general type of happy marriage that we actually see & know. Ada Cross ("Ada Cambridge"), March 1907.
• Photocopy of cover, library catalogue card and title page for Fidelis : a novel, 4th ed., London : Hutchinson, n.d., with an inscription on the half title page: An illustration of a theory which a long study of human nature seems to have confirmed - that a conspicuous lack of physical attractions is (to the healthy-minded in aspiring) more helpful to character and success in life than beauty. Ada Cambridge. March 16th 1907.
• Photocopy of cover, library catalogue card and title page for Path and Goal, London : Methuen, 1900, with an inscription on the half title page: That what is perhaps my favourite novel (of my own creation) should find its permanent home in the United States - where I have long believed that the standards of literary culture, workmanship and taste are the highest and most stable of any in the world - is to me the greatest public honour as well as personal gratification that my profession as a writer has brought me. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia, 1907.
• Photocopy of cover, library catalogue card and title page for Not all in vain, Melbourne : Melville, Mullen & Slade, 1892, with the inscription on the title page: The Australian edition of this book is substituted for the unwieldy 3 volumes of the original English issue. The work belongs to the full and happy earlier years of my literary life, and marks the period at which I was definitely received into the ranks of British novelists - Ada Cambridge. March 17th 1907.
• Photocopy of cover, library catalogue card and title page for A marked man : some episodes in his life, Popular edition, London : William Heinemann, 1894, with inscription on half title page: This book laid the foundation of such literary reputation as I have enjoyed since its publication in 1891, it being my first to attract public attention in England. I think it can also claim the [indecipherable] of being amongst the first of British works to obtain copyright in the United States. The "Queenslanborougher" [? indecipherable] of the story is reminiscent of a villager - afterwards this villages, one a [?] watering-place - on the east of [?] (my native country0, where many happy summers of my childhood were spent. The "Camp" existed as described and [?] me many years ago. Its 'site' is new thickly built [?], included in the spreading [?] of suburban Sydney. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia. March 15th 1907.
• Photocopy of cover, library catalogue card and title page for The Three Miss Kings, London : William Heinemann, 1899, with inscription on half title page: This novel, although not my first to appear in book form, was the first written of the series published in London and New York, beginning with "A Marked Man" in 1891. It immediately followed the latter book, having been a serial in 'The Australasian' so long before [?] 1883. I considered it, by reason of its [?] ineligible for an honour. I should not myself have and might for it, but it had passed from my possession and control before "A Marked Man" established me as a British author, and I believe, it has had a larger circulation and been more generally read than any of its successors. Ada Cross ("Ada Cambridge") Williamstown, Victoria, Australia April 5th 1907.
• Photocopy of cover, library catalogue card and title page for Unspoken thoughts, London : Kegan, Paul, Trench & Co., 1887, with inscription on fly leaf: This little work may be described as an ebullition of untempered grath [?]. Twenty years ago I published it at my own expense - merely as a relief to a brooding mind, grown morbid, apparently, from physical ill health and too much solitary meditation not intending that the [?] be [?] home to me. Of course, the carefully planned ambiguity could not be maintained, and the [?], from a professional point of view, was a failure - the absence of a [?] meant the absence of public notice and when in 1891 the bulk of the tiny edition "remained", and it was proposed to me to sell it for what it would fetch, I exercised my right as owner to have every copy destroyed. The book therefore has the merit - wh in my riper and calmer years I highly appreciate - of being extremely rare. Ada Cambridge. The Vicarage, Williamstown, Victoria. Australia. April 5th 1907.
• Photocopy of a manuscript volume of poems, titled 'Poems by Ada Cambridge', 66 leaves, versos blank, with title page, two-page inscription to James Carleton Young, index listing poems. Poems: The souls' sanctuary, A prayer, Cui Bono, Sic vos mon vobis, Evening on the Broads, The Virgin Martyr, Mates, The winged mariners, Tomorrow, Nightfall on Australian hills, What of the Night?, Sonnets: - Influence, Despair, Faith, Peace.

Thirteen exercise books of poetry written by Kath Watson. Date range on inside covers. Books arranged chronologically. All entries are handwritten; some have handwritten comments by Kath Thomas. Inserted in book 5 is a handwritten note (1 leaf) by Kath from a later time period (undated). Removed from book 13 are 4 typescript leaves.

This collection is comprised mostly of papers relating to Dorothy Blewett including: drafts of playscripts, novels, short stories, and articles for published and published works; a small amount of incoming and outgoing correspondence; photographs; personal documents; documents relating to her professional activities; and theatre programs and travel ephemera relating to her time spent in the 1950s in England and Europe. There are also some papers relating to the activities of her sisters, Elizabeth Melville Blewett (born Elsie Melville Blewett, also referred to as 'Bill') and Rowena Sarah May Blewett.

This collection has typescript and handwritten drafts, notes and research material relating to published works and also to a wide range of literary projects mostly undertaken during the later part of Hill's writing career, from 1945 onwards. These unpublished works cover a variety of genres: novels, plays, descriptive writing and scripts for radio, television and film. Included are drafts and research material related to 'Johnnie Wisecap', 'The Coast of the Holy Ghost', 'Zodiac Road / Blanked over the moon', 'Women of Australia', 'Grand Kangaroo', 'Mother of Pearl'. There is material on the life of Daisy Bates, and plans for a film based on her life; personal correspondence, and two complete unpublished novels.

There are 3,156 photographs, some prints, some negatives, reflecting very large collection of photographs taken by Hill during her many long tours of outback Australia, from the early 1930s and cover all aspects of Northern, Western and outback Australia: flora and fauna, scenery, missions, homestead life, coastal scenes and shipping, traditional industries such as fishing, droving, pearling and sugar farming, mining, camel transport, dwellings, cemeteries, and public buildings. There is pictorial material relating to the life and customs of Aboriginal Australians in all areas of Australia.

Hecate Press records includes correspondence, submissions for publication, press releases, newspaper cuttings, subscription files, photographs, paste ups, proofs, and advertising, mostly, for the journal 'Hecate : an interdisciplinary journal of women’s liberation'.

Correspondence consists mostly of unsolicited submissions and attached self-addressed stamped envelopes. Rejected submissions are not kept. The letters from submitters may have notes written on them by Hecate Press editors (primarily Carole Ferrier and Bronwen Levy) or a simple ‘Rej’ [Rejected] written on the letter. The submissions were mostly poetry, although short stories and articles were also sent to Hecate Press.

'Hecate' is an international feminist academic journal. The focus is material relating to women and also creative work and graphics. It runs reciprocal advertisements with other feminist and socialist publications as well as exchange subscriptions. The Literature Board of the Australia Council as well as donations have been sources of financial assistance.

Some material is for other Hecate Press publications including ‘Australian Women’s Book Review’.

Tania Peitzker studied at the University of Queensland, undertaking a Bachelor of Arts with Honours in the 1990s. This collection is comprised of material relating to her fourth year honours project. It includes annotated copies of printouts of journal articles, notes, correspondence, drafts of her report 'Toward the construction of a lesbian history in Australia : dyke intellectuals of the liberation movements and their influence on sexual politics today' and her honours thesis 'Questions of politics in the "moment" of the Australian journal of cultural studies : a genealogy of interdisciplinary knowledge and practice in Australia" (1994). Where possible original folders have been retained; and includes material relating to Tania Peitzker's nomination for Australian Historical Association Prize for Australian History; material relating to Queer Collaborations conference, Brisbane, 2-9 July 1994; and a hard bound copy of her PhD dissertation 'Dymphna Cusack (1902-1981) : a feminist analysis of gender in her romantic realistic texts' (2000).Reports, articles, notes, correspondence, publications, dissertation on Dymphna Cusack, draft scripts and poetry. There are creative works, published and unpublished, of Tania Peitzker including her poems, plays, novels, satirical essays, journal articles and short stories. Additionally there is some correspondence, public relations and journalism work.

Manuscripts, notebooks, correspondence, research notes, literary awards, publishing contracts, diaries, drafts of speeches, some Astley family history material. Includes two portable Hermes typewriters: green, in case 7 x 29 x 31 cm; and cream, in case 8 x 31 x 32 cm.