Photographs of Caroline Kelly, her husband Timothy and her extended family, and other people and places associated with Caroline Kelly and her family.

This subseries includes correspondence from Kath Walker’s publishers regarding her publications, and correspondence relating to copyright. Requests from individuals and other organisations to use Kath’s work are included in this subseries, some of which have been addressed to the publishers and some of which have been addressed directly to Kath.

Moongalba was established on North Stradbroke Island, by Kath Walker as a cultural education centre in 1971 with the aid of the Aboriginal Arts Board administration grants. It was visited extensively by school children, as well as teachers, students, academics, writers and others. Kath Walker was initially granted a twenty-five year lease to the land by the Redland Shire Council; this was later extended to her lifetime. However, she was never granted legal title to the land, despite the support of many influential people. In 1979 Kath Walker prepared a submission to the federal Department of Aboriginal Affairs, requesting financial assistance and support in obtaining title to the land. Her application was never answered.

Student work of James Birrell while studying at Melbourne University , as a fourth year student in 1950 and fifth year in 1951. Includes: Living quarters for old people ; Lighthouse and coastguard station ; St Judes Church of England, Carlton, Victoria ; Multistory city building ; Factory Unit ; Dairy buildings on a farm at Nar Nar Goon ; Streatham District Hospital ; City Bus Terminal ; Collins Street premises for a diamond dealer ; Road sign at the Haymarket ; Post office building, North Essendon ; Tomorrows house ; Open air theatre ; Himalayan trade bridge ; Sketchbook of notable architecture in Britain and France.

These letters written by Daphne to her parents are presumed to be from the estate of her mother, Lila Mayo. Daphne wrote letters to both her parents and to each parent individually.

Nine drawings (technical and blueprints) for the Catholic Church of St. Augustine in Mossman, North Queensland. Drawings are for three buildings: the presbytery; Church and School; and Convent. All were built.

Documents, invitations, financial records, and personal papers relating to Colin Basil Peter Bell and Theodora Sybil Frances Bell (nee Needham). Most of Colin Basil Peter Bell's correspondence can be found in Series A.

The subseries has the drafts, notes and typescript of Vida Lahey :artist written by Daphne Mayo under the pseudonym of Lilian Macarthur; permits; identiifcation documents; ephemera; personal documents; handwritten notes, writings, scribblings and copious lists for all areas of her life.

This subseries is comprised of:
Folder 1 An imaginary life. Based on the novel by David Malouf. The Australian Elizabethan Theatre Trust. Folded sheet with insert. First performed on 19 Feb 1986. With associated review. Blood relations. The State Theatre Company and the Sydney Theatre Company. 1987. 24p. Voss. The Australian Opera at the Sydney Opera House. 18 Oct 1990. Single-leaf sheet. Contained in a red folder with gilt-embossed title and string. Also contains six cards in envelopes addressed to Malouf.

Folder 2 Mer de Glace. The Australian Opera, 1991. Baa-baa black sheep. An opera in three acts. Music by Michael Berkeley. Cheltenham International Festival of Music 3 Jul 1993. [and] Opera North 15 (Leeds, UK). 13, 16, 17 and 19 Nov 1993.

Folder 3 1914. Inspired by Fly Away Peter. The Australian Ballet. 7-27 Apr 1998. Exotic pleasures. From stories of Peter Carey and David Malouf. Theatre of Image at the Seymour Centre at the University of Sydney. York Theatre. 12 Mar to 3 Apr 1999. A3 broadsheet programme. [Mary Ellen Snodgrass: Peter Carey. A literary companion dates this adaptation to mid-January 1999, and describes it as a ‘dance-cinema-puppet montage’. In January 1999 Theatre of Image offered a workshop based on Exotic Pleasures at Macquarie University. With copies of newspaper reviews. Johnno. Adapted for the stage by Stephen Edwards. Derby Playhouse and La Boite Theatre. 14 Jul – 5 Aug 2006. Powerhouse Theatre.