Photographs of Brown, newspaper cuttings, Central Technical College (CTC) Certificate of Merit, Contemporary Art Society (Qld) exhibition catalogue (1968), Design Arts Centre invitation and catalogue for Brown’s first solo exhibition and photographs of paintings exhibited, price lists, Department of Education certificate with marks for subjects taken at CTC. Newspaper cuttings relating to Brown’s work as a novice at the Society of S. Francis at Brookfield.
Correspondence: Garry Anderson Gallery, Niagara Galleries, The Painters Gallery, Australian National Gallery, City of Ipswich Art Gallery

Correspondence from galleries (including financial statements), exhibition invitations and catalogues, photographs (including of a survey exhibition Garry Anderson Gallery & Mori Gallery), newspapwer cuttings. Includes correspondence from Alan Matthews trading as Garry Anderson Gallery Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery, Mori Gallery, National Gallery of Victoria, Brisbane City Gallery, Institute of Modern Art, University of Melbourne, University of New South Wales, Queensland Art Gallery.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Bellas Gallery, Sherman Galleries, Andrew Baker Art Dealer, QAG, Museum of Contemporary Art, Art Gallery of South Australia, Gold Coast Arts Centre, artbank, John McPhee, Peter Fay, Chris Capper, Michael Phillips.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Sasha Grishin, Michael Reid Art Merchant, QUT Cultural Precinct, Auckland Art Gallery, Charles Nodrum Gallery, Ric Aqui (relating to his book on the Avalon apartment block).

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Museum of Brisbane, Sasha Grishin, Michael Reid Art Merchant, La Trobe University, Griffith University. No handwritten label on bottom right hand corner.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Mornington Peninusla Regional Gallery, Peter Fay, Chris Capper, Jill Godfrey, John McPhee, QAG, QUT, Blake Society (Blake Prize). No handwritten label on bottom right hand corner.

Exhibition invitations and catalogues. Gallery invitations include: Ray Hughes Gallery exhibiting Ken Whisson (1983); Garry Anderson Gallery exhibiting Peter Booth (1987), Agnes Martin (1987), Maningrida (1988), Billy Yalwanga (1988), Leonard Brown (1987, 1988), A private collection [of] Australian, British and Japanese works of art (1988), Andrew Taylor (1989), Noel McKenna (1988), Peter Atkins (1988), Australian photograph 1928-1988 (1988), Allan Mitelman (1988, 1989), Gordon Walters (1989), Paul Partos (1987), Terry Ngamandarra (1990), Tribal art from the collection of Mr Peter Halinan (1991), Nigel Hall (1990), Jack Wunuwun (1990), Joe Felber (1989), Madonna Staunton (1988), Peter Elliston (1989), Rosemary Madigan (1989), Richard Thomas (1990), Noel McKenna (1989), Patsy Hely (1988) Osmosis (1990); Baldacci-Daverio GAllery exhibiting 'Nature Morte de Chirico de Pisis Gnoli Manzoni Morandi' ; Andrew Baker Art Dealer exhibiting Leonard Brown (2011); Sean Phillips Patternpoems; Doggett Street Studio exhibiting Lance Litchfield (1995), Brendan Smith (1995, 1997), Nick Cominos (1995, 1999, 2000), Stephen Mok (1998); Niagara Galleries exhibition Leonard Brown (1986); Christine Abrahams Gallery exhibiting Robert Klippel (1988). Catalogues are from the Charles Nodrum Gallery exhbiting 'Abstraction 11' (2012); and Redcliffe City Art Gallery exhibiting '15 Artists' (2013).

Three black, spiral bound A2 folders with photographs of art works and exhibitons. Unlike the scrapbooks these folders have no associated documents and are comprised of colour photographs of the works of art by Leonard Brown. Two folders have handwritten labels at the bottom right-hand corner inscribed with 'Art archive' but have been treated as art portfolios.

Reviews about the art work of Leonard Brown and other artists. Comprises: Grishin, Sasha, ‘Originality in the icons of Leonard Brown’, nd, typescript, 2p; and McDonald, Ewen, ‘Contemporanea: Letter from Sydney’, 1989, typescript, 4p.

Four diaries mostly used while travelling.