Correspondence, poems, framed artwork. A large part of the correspondence is with David Malouf, as well as other prominent writers. Includes explanatory notes by Judith Rodriguez.

Three black, spiral bound A2 folders with photographs of art works and exhibitons. Unlike the scrapbooks these folders have no associated documents and are comprised of colour photographs of the works of art by Leonard Brown. Two folders have handwritten labels at the bottom right-hand corner inscribed with 'Art archive' but have been treated as art portfolios.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Mornington Peninusla Regional Gallery, Peter Fay, Chris Capper, Jill Godfrey, John McPhee, QAG, QUT, Blake Society (Blake Prize). No handwritten label on bottom right hand corner.

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Sasha Grishin, Michael Reid Art Merchant, QUT Cultural Precinct, Auckland Art Gallery, Charles Nodrum Gallery, Ric Aqui (relating to his book on the Avalon apartment block).

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Bellas Gallery, Sherman Galleries, Andrew Baker Art Dealer, QAG, Museum of Contemporary Art, Art Gallery of South Australia, Gold Coast Arts Centre, artbank, John McPhee, Peter Fay, Chris Capper, Michael Phillips.

Correspondence from galleries (including financial statements), exhibition invitations and catalogues, photographs (including of a survey exhibition Garry Anderson Gallery & Mori Gallery), newspapwer cuttings. Includes correspondence from Alan Matthews trading as Garry Anderson Gallery Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery, Mori Gallery, National Gallery of Victoria, Brisbane City Gallery, Institute of Modern Art, University of Melbourne, University of New South Wales, Queensland Art Gallery.

Photographs of Brown, newspaper cuttings, Central Technical College (CTC) Certificate of Merit, Contemporary Art Society (Qld) exhibition catalogue (1968), Design Arts Centre invitation and catalogue for Brown’s first solo exhibition and photographs of paintings exhibited, price lists, Department of Education certificate with marks for subjects taken at CTC. Newspaper cuttings relating to Brown’s work as a novice at the Society of S. Francis at Brookfield.
Correspondence: Garry Anderson Gallery, Niagara Galleries, The Painters Gallery, Australian National Gallery, City of Ipswich Art Gallery

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Museum of Brisbane, Sasha Grishin, Michael Reid Art Merchant, La Trobe University, Griffith University. No handwritten label on bottom right hand corner.

Black, spiral-bound A2 folders with handwritten labels on bottom right-hand corner of each with "Art Archive : Leonard Brown" and the representative years. They include correspondence, exhibition invitations and catalogues, price lists, photographs, newspaper cuttings from 1967 to 2011.
The scrapbooks also contain correspondence from:

1. Commercial galleries, including Garry Anderson Gallery, Alan Matthews trading as Garry Anderson Gallery, Andrew Baker Art Dealer, Bellas Gallery, Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery Niagara Galleries, Charles Nodrum Gallery, The Painters Gallery, Michael Reid Art Merchant, Sherman Galleries
2. Collecting galleries, including Auckland Art Gallery, Australian National Gallery, Brisbane City Gallery, Museum of Brisbane, Gold Coast Arts Centre, Griffith University, City of Ipswich Art Gallery, La Trobe University, Mornington Peninsula Regional Gallery, Museum of Contemporary Art, National Gallery of Victoria, Queensland Art Gallery, QUT Cultural Precinct, Art Gallery of South Australia
3. Other correspondents, including Ric Aqui, artbank, Blake Society, Chris Capper, Peter Fay, Jill Godfrey, Sasha Grishin, John McPhee and Michael Phillips

Album 1 contains 540 slides and has two sections, each section preceeded by documents. Album 2 contains proof sheets, exhibition notes and negatives.