Seven letters to Ted Dunn responding to his request for information about Nutter Buzacott, or Buz. Correspondents are: Grahame King, Alan Marshall, Jim Wright, Murray Young, William Constable, and Noel Counihan. All letters were written in October 1979. One sheet of foolscap paper with photocopies of newspaper cuttings from the late 1930s and early 1940s about Nutter Buzacott. Two CDs of oral history interviews with his wife Winnie Buzacott. Catalogue from The Redcliffe Art Content Thirteenth Annual Exhibition, 20th August to 13th September 1969. Photocopy of the covers [designed by Buzacott?] of The big crush : what everyone should know about the CSR sugar monopoly and Who own Queensland by Pete Thomas.

Photographs; art exhibition catalogues; correspondence from students; correspondence and documents of Australian Flying Arts School, newsclippings; video "Big Country-Nice things happen"; film "Sky Bridges"

Manuscripts for Helen Haenke's short stories, prose, novels, play scripts, and poetry as well as notebooks.

Reviews about the art work of Leonard Brown and other artists. Comprises: Grishin, Sasha, ‘Originality in the icons of Leonard Brown’, nd, typescript, 2p; and McDonald, Ewen, ‘Contemporanea: Letter from Sydney’, 1989, typescript, 4p.

Photographs of Brown, newspaper cuttings, Central Technical College (CTC) Certificate of Merit, Contemporary Art Society (Qld) exhibition catalogue (1968), Design Arts Centre invitation and catalogue for Brown’s first solo exhibition and photographs of paintings exhibited, price lists, Department of Education certificate with marks for subjects taken at CTC. Newspaper cuttings relating to Brown’s work as a novice at the Society of S. Francis at Brookfield.
Correspondence: Garry Anderson Gallery, Niagara Galleries, The Painters Gallery, Australian National Gallery, City of Ipswich Art Gallery

Four diaries mostly used while travelling.

Two notebooks with handwritten lists of works created by Leonard Brown. The second notebook also has diary entries from 24 May 1990.

Correspondence from galleries (including financial statements), exhibition invitations and catalogues, photographs (including of a survey exhibition Garry Anderson Gallery & Mori Gallery), newspapwer cuttings. Includes correspondence from Alan Matthews trading as Garry Anderson Gallery Deutscher Brunswick Street, Deutscher Fine Art, Michael Milburn Gallery, Mori Gallery, National Gallery of Victoria, Brisbane City Gallery, Institute of Modern Art, University of Melbourne, University of New South Wales, Queensland Art Gallery.

Comprises five typescripts by Leonard Brown:
Antipodes, An opera for the Australian Bi-Centenary typescript, [1987?] 30pp. Accompanied by letter from Carl Vine
Notes for an Exhibition. Love Lift paintings. 1999 – 2000.
Ikonodule: one who serves and venerates images, 9p
[The Cross], 2p
[When I am not painting, I draw], 2p

Correspondence, exhibition invitations and catalogues, price lists, photographs, newspapwer cuttings. Includes correspondence from Bellas Gallery, Sherman Galleries, Andrew Baker Art Dealer, QAG, Museum of Contemporary Art, Art Gallery of South Australia, Gold Coast Arts Centre, artbank, John McPhee, Peter Fay, Chris Capper, Michael Phillips.