Notes and research material for novel Jack Maggs.

Two memorandum of agreement between Peter Carey and Deborah Rogers for: 1. work provisionally entitled 'Waiting for the barbarians' (undated); and 2. the German publication of the novel Bliss.

Publisher proofs from Faber and Faber. First page proof from University of Queensland Press. Printed and photocopied proof sent to Carey by Deb Rogers. Cover designs for UQP and United States edition of novel. Correspondence accompanies some proofs.

Page proofs for Faber edition with some marking up, accompanied by covering letter, 5 Apr 1991, from Daphne Tagg on Faber & Faber letterhead. Correspondence from University of Queensland Press, comments on the novel by Edmund Campion, faxed queries from Robert McCrum, typescript leaves of Cary's replies to Robert McCrum.

Poster advertising the short story collection War crimes.

Photographs and negatives in a Kodak envelope with a note from 'Rosie' [the photographer] on the inside of the Kodak envelope that mentions Leigh [Weetman?].

Two copies of a black and white photograph of Peter Carey in front of the index cards for Bliss [screenplay] with an envelope with Window Productions written on front.

Two black and white photographs accompanied by a with compliments slip from the publicity department of Faber & Faber. Also includes the 3 sheets of 118 contact prints. One of the photographs from the contact prints was used for publicity material for War crimes [short story collection].

Six colour photographs, 9 x 12.5 cm, of Peter Carey at Square Books (160 Courthouse Square, Mississippi), for the launch of The Unusual life of Tristan Smith (published in the United States in 1995 in hardcover by Knopf); and photographs of him at Memphis. Two sets of 6 contact sheets of black and white photographs of Peter Carey, 59 photographs in one set and 72 in the other set, taken by Mariana Cook, 1994.

Publicity photographs of Peter Carey: 4 black and white photographs of varying sizes ; 2 contact sheets of Carey in London, 39 photographs on each sheet, 5 Apr 1988; and 1 colour photograph from Writers Week in Adelaide, 1988.