Includes: short stories; articles; a typescript titled "An impression of the Pediment at the front of Brisbane's Town Hall" (1 leaf); poem, "The Birds"; 2 leaves titled "Notes on sculpture for children" by Anita Aarons; 4 page article "Fine arts at the University of Queensland"; article by Dr F.W. Whitehouse titled "The assets and the vulnerability of the Cooloola Sands"; carbon copy of address by W. Forgan Smith at the 26th Annual Federal Congress of the Returned Sailor's Soldier's Airmen's Imperial League (RSSAILA), 14 Nov 1941; and information on Cooloola National Park.

This consists of three sections of Giovanni di Ser Giovanni's Wedding procession. Each section measures 22 x 36 cm and they have been glued together to recreate the entire picture, measuring 22 x 98 cm. Narrow timber frame and glass have been discarded.

4 colour reproduction prints: Renoir, Bonnard, and two Cezannes (53 x 62 cm); 2 reproduction prints of line drawings (56 x 41 cm)

Invitations to various events.

Invitations to various events.

Empty envelopes mostly addressed to Daphne Mayo, with senders name and address on back. Loose stamps.

11 diaries: Woods' Australian Diary 1924 (while in Europe) with some sketches, notes on finances and diary entries (one on 28 June ends with 'What a life!'); 1928; minature Calendar and Diary for 1931, 1932, 1937 (2 versions); Collins pocket diary for 1938 (while in Europe) with some diary entries; W.C. Penfold & Co.'s Australian Diary for 1940; Economic Diary for 1941; Youngs customs and shipping agents 1952; Picasso Museum Masterpieces engagement calendar 1966.

Art work prints and illustrations.

Mounted images of European art and architecture

Handwritten notes for the biography of Vida Lahey by Daphne Mayo. The notes are written on scraps of paper, envelopes (addressed to Daphne Mayo), and paper. It includes 6 pages of typescript, with handwritten emendations, entitled 'The development of Art in Queensland'. Vida Lahey wrote this article for the Exhibition of Queensland art : catalogue : Queensland National Art Gallery, Brisbane, 10th September to 7th October, 1951. On one envelope there is a draft of a letter by Mayo to Mavis asking her to read and criticise her article on Vida which isn't finished and was not typed (a requirement for submission). There is one sheet of paper with a brief account of Daphne Mayo's life: mentioning her studies; travels; the Godfrey Rivers Bequest (and the purchase of 'The Cypriot' by Dobell); the Queensland Art Fund; and the raising of funds to match the Darnell bequest and the impacts of that task.