Oil on paper on card. Small urban landscape with bridge in foreground

Oil on paper.

Oil on paper on card.

Oil on canvas.

Plaster copy of Daphne Mayo's copy of the Winged victory of Samothrace that she created while studying at Brisbane's Central Technical College. The college had a plaster cast that she used as a model. It won her the inaugural (1914) Queensland Wattle Day Leagues travelling art scholarship training in Europe. One wing has fallen off. It does not have a plinth.

Fibreglass model of female figure with pot raised on head. Coming apart along both sides of the body, both arms taped, left leg taped once and right leg was taped but that has fallen off.

Fibreglass model of female figure in action pose, right arm stretched upwards. Left arm is missing. Base has broken off from right foot. Coming apart along both sides of the body, right arm missing hand, right arm taped twice, both legs taped once, neck and waist are taped.

Fibreglass model of four figures with the central female figure with her arms raised above her head. Very fragile, crumbly and dirty.

Free standing plaster female figure with long hair and drape wtih green glaze. Left foot has broken off.

Daphne Mayo's Sydney Studio at 231 George Street was reclaimed by the Sydney Cove Development Authority in 1981. Queensland Trustees Limited, who had power of attorney for Mayo, engaged Judith McKay to direct the sorting and dispersal of the Sydney Studio from 29 June to 8 July 1981. Mayo had been a tenant of the building since 1940 and retained this studio after her move back to Brisbane. She was the last tenant to leave the building. This album is volume one of a two volume set of photograph albums complied by Judith McKay detailing the contents of the studio and the packing of contents. Photographs by Jacqueline Macnaughtan and Tim Collis-Bird.