This subseries includes letters from organisations and individuals asking Oodgeroo Noonuccal to appear in programs, provide content, and for permissions to use her literary works for television, film and radio productions.

Correspondence from various arts and literary organisations as well as one year of material from Kath Walkers' involvement with Artbank.

This subseries is comprised of correspondence between Kath Walker and other authors. In some cases, letters from literary authors have been kept with other material for contextual reasons. Some letters will contain literary work. Correspondents in this folder include: Faith Bandler; John Beston; Barbara Blackman; Jack Davis; H C (Nugget) Coombs; Geoffrey Dutton; Margaret Diesendorf; Teddy Dugan; Elizabeth Eggleston; Len Fox; Judo Gemes; Al Grassby; Billy Jones; Judith Knowles; Lorna Lippman; Ward McNally; Daisy Marchisotti; Ian Mudie; Jo Nacola; Nancy Norman; Nichio Ochi; Barbara Paulter; Reg Saunders and Lyndall Ryan; Bill Scott; Margaret Shapcott; Ruth Smout; Bill Sutton; Nancy Wills; and Judith Wright.

Moongalba was established on North Stradbroke Island, by Kath Walker as a cultural education centre in 1971 with the aid of the Aboriginal Arts Board administration grants. It was visited extensively by school children, as well as teachers, students, academics, writers and others. Kath Walker was initially granted a twenty-five year lease to the land by the Redland Shire Council; this was later extended to her lifetime. However, she was never granted legal title to the land, despite the support of many influential people. In 1979 Kath Walker prepared a submission to the federal Department of Aboriginal Affairs, requesting financial assistance and support in obtaining title to the land. Her application was never answered.

Remembering Babylon : for tenor voice and piano, composed by Diana Blom ; text by David Malouf, 2 versions, one unpublished with holograph letter by Diana Blom, dated 8 Nov 2001; the other is the score published Wollongong, Wirrapang Pty Ltd, 2013, (31 pages); 21 x 30 cm, with note "Dear David, Finally published! Cheers Dinty".

Comprised of two drafts:

1. 'The Aspern Papers', opera in one act from the story by Henry James, typescript with extensive emendations and cut and paste inserts, 21 leaves, [David Malouf’s 2017 note: First written for the Canadian composer Owen Underhill. Commission fell through. Set by Melbourne composer Eve Duncan. Not yet commissioned for performance].
2. 'The Aspern Papers : a chamber opera. Scene One'. Libretto by David Malouf. Based on a story by Henry James, 82 pages, with letter from Eve Duncan, 6 Aug 2013. Spiral bound.

'Jane or The Bride of Thornfield' (Jane Eyre), typescript, 18 leaves, a few emendations. [David Malouf’s 2017 note: First draft, 1996/8. Performed Cheltenham Festival. Toured London, Canberra, St Louis, USA.]. With associated letter by Malouf to Michael Berkeley. Accompanied by the published libretto, Jane Eyre, from cover 'A libretto by David Malouf for an opera by Michael Berkeley', 27 pages, published by Vintage in 2000.

The Fox and the Magpie. A divertissement for two voices and four instruments. By David Malouf. Music by Kurt Schwertsik, 24 pages, spiral bound.

10,000 Miles Away (1969-70) was commissioned in 1969 for performance in 1970 for Cook Bicentenary Year by Adult Education Department, Sydney University. Performed around New South Wales with 3 actors and directed by Rex Cramphorne. This subseries has 2 different versions that have been extensively edited with cut and paste inserts (stuck with sticky tape which have fallen apart).
There are two photocopies of each version which are to be used as access copies

Comprises: The Long View. For male choir. Music by Noel Ancell. The Crab Feast. For piano and percussion. Music by Eve Duncan. An die Musik. For SATB choir. By Andrew Ford. The text is based on Malouf’s poem of the same name, poems by Gwen Harwood and Thomas Shapcott as well as folk poems from Malaysia, the Pueblo Indians and Finland.