Oil on paper: Girl

Oil on paper. Verso signed by five people, including Mayo.

Oil on canvas. Entrance with stairs to premises.

Oil on card. Small unfinished urban landscape

Oil on card: Head of Girl in profile, grey dress. Lower left: July 56?; verso: from Miss D Mayo/ 231 George St/ Sydney. Window mounted 46 x 35 cm.

Pencil on paper. Hand study (63 x 48 cm), window mounted (86 x 63 cm), which formed part of the Queensland Art Gallery Exhibition Daphne Mayo : let there be sculpture, Nov 2011 to Jan 2012.

Fibreglass model for Trophy for Winton's Bronze Swagman Award for Bush Verse. Held together with fabric ties.

Plaster cast of baby's head [possibly a preliminary plaster cast for the baby portrait of Lindsay Gribb]

Fibreglass model, painted green with some gold. The Little Blackie sculpture depicts the smaller than life-sized head of an Aboriginal baby. One of the most reproduced of all Daphne Mayo's works. One bronze head was purchased by the Art Gallery of New South Wales (AGNSW) from the Three Sculptors Exhibition in Sydney in 1946. Daphne Mayo would not assigned copyright to the the AGNSW.

Daphne Mayo's Sydney Studio at 231 George Street was reclaimed by the Sydney Cove Development Authority in 1981. Queensland Trustees Limited, who had power of attorney for Mayo, engaged Judith McKay to direct the sorting and dispersal of the Sydney Studio from 29 June to 8 July 1981. Mayo had been a tenant of the building since 1940 and retained this studio after her move back to Brisbane. She was the last tenant to leave the building. This album is volume two of a two volume set of photograph albums complied by Judith McKay detailing the contents of the studio and the packing of contents. Photographs by Jacqueline Macnaughtan and Tim Collis-Bird. It includes proofs of photographs by Tim Collis-Bird.