One leaf, handwritten in blue ink, with notes by author on Afterword. Handwritten draft of the Afterword to Fly Away Peter, 5 pages, April 1981. Photocopy of typescript draft with handwritten emendations of the Afterword, 13 leaves, numbered 127 to 139,

One-page working plan, 17 Mar 1980, together with newspaper article Come sono lontani da Bakunin questi burocrati del terrorismo from La Nazione, which in Malouf’s words ‘was the spur’

The Kyogle Line is part of 12 Edmonstone Street, a collection of autobiographical essays published by Chatto and Windus in 1985. Three typescript leaves, with handwritten emendations in blue and red ink, unnumbered pages, undated. Seven photocopied leaves of the typescript draft with handwritten emendations: the first leaf is titled 'Inset' (which is to be inserted on page 5 of the next six leaves); there are six leaves, with the title' The Kyogle Line', numbered in the top right-hand corner, undated.

Correspondence, incoming, from 1990:
1990 – 41 letters: Luciana Arrighi (1); Michael Berkeley (3); Alison Clark (4); Nick Enright (1); Elizabeth Jolley (1); Others (31).

Typescript, 241 leaves, on white paper, handwritten emendations in blue and black pen and pencil, and cut and paste inserts (attached with sticky tape). Cover note by Malouf 'Final copy before proof'. Accompanied by 4 leaves with handwritten note 'Rejected passage, from The Great World'. Photocopy, 1 leaf, of inside cover and title page of the published work.

Rehearsal notes for Voss, by Christopher Williams. Copy for David Malouf. [Note: Company notes on first performance of Voss, Adelaide, 1986, March]

One handwritten note by author: 'Original typescript for afterword (unused). Later rewritten for programme note for the ballet, then for a piece on North Queensland in the Griffith Review.’ Accompanied by the draft, which has handwritten emendations in pen and pencil, thirteen leaves are original typescript, 7 leaves are photocopies, all 20 leaves hand numbered from 124 to 139.

Correspondence, incoming, from 1991:
1991 – 51 letters:
Murray Bail (2);
Alison Clark (3);
Dymphna Clark (1);
Nin Dutton (18 Apr 1991);
Nick Enright (1);
Kate Grenville (1);
Elizabeth Jolley (8 Jul 1991);
David Marr (27 Jun 1991 – ‘I’ve now seen the PW [Patrick White] book […]. I took the first copy round to show Manoly. […] Even though it was cold we had tea on the terrace and M started telling me things I wish I had in the book. He talked about meeting Patrick: that first night they went out for a meal. M said, ‘I found I could talk to him. He understood what I was saying and I understood him […]. We talked for hours. He made me happy at once, and I think I made him happy.’ I’d have given pages of my own prose to have ‘He made me happy at once…’;
Drusilla Modjeska (1);
Frank Moorhouse (6 Nov, 26 Nov 1991);
Janette Turner Hospital (15 Apr, 22 Oct 1991);
Others (35).

One Upim notebook of 200 pages with handwritten notes on structure of novel, character details and draft of Harland's Half Acre, handwritten in red, blue and black ink. Writing is reversed or written in both directions in the notebook. Handwritten notes on sheet inserted into notebook.

Typescript drafts with handwritten note across top of first page: 'Typescript of opera libretto suggeted by supposed episode in the 'Life of Mary Gilmour' c. 1792 - for composer Diane (Dinty) Blom', 7 leaves.