Exhibition catalogues, mostly from the 1930s

Ledger book with July /69 to June /70 on cover, inside cover has business cards pinned to it, first page with names and address. It records income received and expenses with notes. Towards end of book has income from investments; notes on making paper mache; notes on making a surf board. Final pages are notes about Vida Lahey comprising: list of Exhibitions with places and dates; publications lodged with Oxley Library; extracts from her [Vida Lahey] letters and manuscripts; list of exhibitions by V. Lahey.

Greeting cards, some postcard books and postcards. Includes a Lloyd Rees Christmas card - etching 'Church at North Ryde' with handwritten message "To Daphne, and all our good wishes and hopes for more meetings in 1973 from Marjory & Lloyd".

Handwritten notes, scribbles, and lists.

Handwritten and typescript notes on sculpture, artistic techniques, saving Anzac Square, history of the Godfrey Rivers Bequest, Queensland Art Fund, Queensland National Gallery, stories, lists of glazes, commentaries. Written on notepaper, scraps of paper and envelopes.

Correspondence, agreements, company reports, receipts, notes relating to stocks, investments and dividends.

General financial records including correspondence, receipts, and invoices.

Handwritten draft of the biography of Vida Lahey by Daphne Mayo. This is a draft of an article written for the Society of Women Writers Of NSW Literary Competition, in 1969, by "Lilian MacArthur". Contains original pages from Quill Pen Carbon Book numbering 1-26.

Correspondence from 12 Jan 1960 to 13 Nov 1969. Correspondents include: Brisbane Arts Ball Committee; Queensland Trustees Limited; Queensland National Gallery Society; Queensland Art Gallery; Central Technical College, Brisbane; Brisbane Women's Club; Brisbane Fountains Committee; Design Arts Centre; letters from doctor regarding recommended foods, blood tests results; Commonwealth Department of Customs and Excise, Brisbane; Society of Women Writers.

Receipts, invoices, correspondence relating to works of art and Sydney studio, from 1960 to 1969.