Typescript draft and two incomplete carbon typescript drafts (one with a few corrections) of the short story I know you can talk. The date September 1971 appears on one of the carbon typescript drafts.

Spiral bound copy of first draft of Until the end of the world, story by Wim Wenders and Solveig Dommartin and screenplay by Peter Carey, with emendations, 18 Oct 1988. Note on first page: This is the copy I took to the Kimberleys, with annotations made at that time'.

Faxes (thermal paper and photocopied), dated August 1988. Printout of Peter Carey's first (incomplete) draft on continuous computer paper, September 1988. This material was in an envelope (now discarded) which had handwritten on front: 'Until the end of the world - note all dates on computer printouts are American style Month/Day/Year'.

This file mostly comprises cuttings from newspapers and magazines reviewing Peter Carey's novel Bliss.

This file comprises cuttings from and photocopies of newspapers and magazines reviewing Peter Carey's short story collection The fat man in history.

Letter from Charlotte Chiriac of Paul & Peter Fritz AG to Deborah Rogers, dated 19 Mar 1992, with German reviews for Oscar and Lucinda, which was forwarded to Peter Carey.

Photocopies of six published short stories. Stories are: Around the rugged rocks the ragged rascal ran (1973); Crabs (1972); The mad puzzle king (1973); Joe (1973); Life and death in the south side pavilion (1974); and Report on the shadow industry (1974).

'Gleniffer via Bellingen' by Peter Carey describes the house he and Margot Hutchenson built in The Promised Land, about eight kilometres out of Bellingen. The house was designed by Richard Leplastier. There are two typescript drafts of the article, with emendations, which Carey appears to have written when selling the house. Both drafts are on yellow paper, 4 leaves, undated.

Five typescript drafts for a speech given by Peter Carey before the publication of Oscar and Lucinda.

Letter from Shrewd Productions with 'Brave new world' at the top of the page accompanied by the transcript of interview with Jeffrey James and Mark Street around the time Bliss the screenplay was being written as well as the magazine article 'Brave new world'. Cutting from Honi Soit (issue 11, 1982) of an interview by Claudia Castle and Rex Butler of Peter Carey.