Eight leaves of handwritten notes, and 54 leaves of typescript, with handwritten emendations for the opera Voss.

Correspondence, incoming, from 1974-1979:
1974 – 16 letters: Geoffrey Dutton (6 Nov 1974); Christopher Edwards (25 Nov 1974); Les Murray (1 Sep 1974); Pixie Pratt [Pixie O’Harris] (25 Nov 1974); UQP - Roger McDonald and Craig Munro (editors), 6 letters - one of 18 Nov 1974 advising that the Publications committee at UQP ‘has approved the publication of your manuscript entitled “Johnno”.; Gough Whitlam (6 Jun 1974); Others (5)

1975 – 15 letters: Geoffrey Lehmann (19 Feb, 19 Dec 1975); UQP - Frank W Thompson, Roger McDonald and Craig Munro (5 letters)
Gough Whitlam (7 Apr 1975); Others (7).

1976 – 32 letters: John Blight (20 May, 16 Nov 1976); Nancy Cato (8 Nov 1976); Christopher Edwards (30 Oct 1976); Geoffrey Lehmann (24 Aug 1976); UQP - Roger McDonald and Craig Munro (editors – 8 letters); Others (19).

1977 – 20 letters: Geoffrey Dutton (4 Jun 1977); Geoffrey Lehmann (6 Mar 1977); Christina Stead (28 Aug 1977); Others (17).

1978 – 17 letters: Jim Davidson (editor of Meanjin) (15 Aug 1978); Elizabeth Harrower (20 Nov 1978); Others (15).

1979 – 23 letters: Jim Davidson (27 Apr, 7 May, 12 Jun, 30 Jul 1979); Don Dunstan (11 Jun, 13 Jul 1979); Elizabeth Harrower (22 Jan, 6 Apr, 18 Sep 1979); Others (14).

1970s (undated) – 12 letters: Geoffrey Lehmann; Others (11).

Correspondence, incoming, from 1990:
1990 – 41 letters: Luciana Arrighi (1); Michael Berkeley (3); Alison Clark (4); Nick Enright (1); Elizabeth Jolley (1); Others (31).

Correspondence, incoming, from 1991:
1991 – 51 letters:
Murray Bail (2);
Alison Clark (3);
Dymphna Clark (1);
Nin Dutton (18 Apr 1991);
Nick Enright (1);
Kate Grenville (1);
Elizabeth Jolley (8 Jul 1991);
David Marr (27 Jun 1991 – ‘I’ve now seen the PW [Patrick White] book […]. I took the first copy round to show Manoly. […] Even though it was cold we had tea on the terrace and M started telling me things I wish I had in the book. He talked about meeting Patrick: that first night they went out for a meal. M said, ‘I found I could talk to him. He understood what I was saying and I understood him […]. We talked for hours. He made me happy at once, and I think I made him happy.’ I’d have given pages of my own prose to have ‘He made me happy at once…’;
Drusilla Modjeska (1);
Frank Moorhouse (6 Nov, 26 Nov 1991);
Janette Turner Hospital (15 Apr, 22 Oct 1991);
Others (35).

Correspondence, incoming, from 1992:
1992 – 36 letters: Luci Arrighi (1); Murray Bail (3); Alison Clark (2); Nin Dutton (1); David Marr (1); Others (28).

Correspondence, incoming, from 1995:
1995 – 17 letters: Michael Berkeley (1); Geoffrey Dutton (1); Robyn Davidson (1); Others (14).

Correspondence, incoming, from 1998:
1998 – 39 letters: Carmen Callil (11 Jul 1998); Ian Callinan (26 Nov 1998); Dymphna Clark (7 Feb, 9 Aug 1998); Don Dunstan and Steven Cheng (1); Geoffrey Dutton (9 Sep 1998 – eight days before his death); Nin Dutton (10 Sep, 26 Sep 1998); Margaret Olley (21 Dec 1998 – enclosing a photograph of Malouf and unknown); David Rowbotham (14 Dec 1998); Lurline Stuart (27 Sep 1998 – ten days after Geoffrey Dutton’s death); Others (27).

Correspondence, incoming, from 2000-2001:
2000 – 27 letters: Michael Berkeley (1); John Coetzee (14 Jan 2000); Nin Dutton (1); Nick Enright (1); Ihab Hassan (1); Cees Nooteboom (11 Jul 2000); David Rowbotham (2); Others (19).

2001 – 24 letters: Ihab Hassan (3); David Rowbotham (3); Jaya Savige (2); Others (16).

Handwritten note by Malouf on contents of this subseries. Typescript note, originally intended as preface to 12 Edmonstone Street (1 leaf, typescript, handwritten emendations). Handwritten and typescript drafts, some incomplete, of 12 Edmonstone Street, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading).

This file is comprised of approximately 194 draft pages, various sizes, some handwritten, some typescript, all heavily corrected in blue and black biro, blue ink and pencil. There is handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape).