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David Malouf Papers English
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The Empty Lunch-Tin [short story]

Typescript, handwritten emendations, and white-out corrections. Undated. Pages numbered in top right-hand corner. Accompanied by handwritten cover note by author: Version of stories from Antipodes, my own typing: early / late drafts".

Sorrows and Secrets [short story]

Typescript, handwritten emendations, and white-out corrections. Undated. Pages numbered in top right-hand corner. Accompanied by handwritten cover note by author: Version of stories from Antipodes, my own typing: early / late drafts".

Untitled (Out of the Stream) [short story]

Typescript, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape). Undated. Pages numbered in top right-hand corner. Accompanied by handwritten cover note by author: Version of stories from Antipodes, my own typing: early / late drafts".

Draft of A Foot in the Stream [autobiographical essay]

A Foot in the Stream is part of 12 Edmonstone Street, a collection of autobiographical essays published by Chatto and Windus in 1985. This is a typescript draft, with handwritten emendations in blue ink, white-out corrections, unnumbered pages, undated.

Drafts of The Kyogle Line [autobiographical essay]

The Kyogle Line is part of 12 Edmonstone Street, a collection of autobiographical essays published by Chatto and Windus in 1985. Three typescript leaves, with handwritten emendations in blue and red ink, unnumbered pages, undated. Seven photocopied leaves of the typescript draft with handwritten emendations: the first leaf is titled 'Inset' (which is to be inserted on page 5 of the next six leaves); there are six leaves, with the title' The Kyogle Line', numbered in the top right-hand corner, undated.

The Great World [Novel] (1990)

In The Great World Malouf enters familiar Australian territory with a story of war experience and mateship. The narrative contrasts the personalities of two men and their experiences in the Second World War, Digger Keen, the archetypal, taciturn Australian, gifted with a photographic memory, and Vic Curran, whose ambition and drive take him from poverty to the top of the business world. The Great World was first published in 1990 and won the Miles Franklin Award in 1991, the Adelaide Festival Award and two international awards, the 1991 Commonwealth Prize for fiction and the Prix Femina Etranger in France for the best foreign novel. This subseries consists of a draft early version of the novel, originally titled ‘The Memorialists’, the first handwritten draft of the novel, and a typescript draft in five parts with many handwritten corrections and additions.

Handwritten drafts of The Great World

Handwritten drafts of The Great World, 140 pages on white four-ring notepaper and 31 pages on green notepaper, handwritten in blue ink and black biro, with many corrections and additions. Some pages have page numbers in top right-hand corner.

Typescript draft of part II of The Great World

Typescript draft of 'The Changes', Part II of The Great World, mostly on white paper, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape). This draft of part II of the novel has the chapter title page 'The Changes' (which was not used in the published novel). Original folder has been retained. On the inside cover it has page and word counts and page numbers for two of the three sections. Handwritten page numbers in top right-hand corner from 103 to 160.

Typescript draft of part IV of The Great World

Typescript draft of Part IV of The Great World, mostly on green paper, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape). There are 3 sections in this file. Original folder has been retained. On the cover it has page and word counts and page numbers for 3 sections.

Handwritten and typescript draft of Remembering Babylon

This file is comprised of approximately 198 draft pages, various sizes, some handwritten, some typescript, all heavily corrected in blue and black biro, blue ink and pencil. There is handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape).

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