Correspondence from Daphne Mayo to her parents, Bill and Lila Mayo. General correspondence, personal papers, and publications. The material in this series is presumed to be from the estate of Daphne Mayo's mother, Lila Mayo.

Newspaper and magazine cuttings collected by Daphne Mayo. Based on correspondence, friends and relatives also sent her cuttings and these may form part of this series.

[Item 1] Newspaper cuttings, undated. -- [Item 2] Newspaper cuttings, 1914, 1920s. -- [Item 3] Newspaper cuttings, 1930s. -- [Item 4] Newspaper cuttings,1940s. -- [Item 5] Newspaper cuttings,1950s. -- [Item 6] Newspaper cuttings, 1960. -- [Item 7] Newspaper cuttings, 1970s.

Exhibition catalogues from Australian art galleries, exhibitions that toured Australian galleries and catalogues from galleries in countries other than Australia.

These letters written by Daphne to her parents are presumed to be from the estate of her mother, Lila Mayo. Daphne wrote letters to both her parents and to each parent individually.

The subseries has the drafts, notes and typescript of Vida Lahey :artist written by Daphne Mayo under the pseudonym of Lilian Macarthur; permits; identiifcation documents; ephemera; personal documents; handwritten notes, writings, scribblings and copious lists for all areas of her life.

Receipts, invoices, correspondence relating to works of art and Sydney studio, from 1926 to 1979.

William McArthur Mayo (Bill) and Eliza Mary (Lila), née Saxelby corresponded frequently with their daughter Daphne. Sometimes both parents would write individual letters to Daphne on the same day, at other times they would each write in the same letter, and they would also write to her individually. There are approximately 1422 items of correspondence in this subseries dating from 1919 to 1959. Bill would often write about financial matters including Daphne's rental property in Brisbane. Occasionally Lilia would get the date wrong and, if discernible, this date has been corrected in pencil on the letter. As Lila's health deteriorated, her handwritten became more difficult to read.

Correspondence and notes relating to requests for commissioned and uncommissioned works; and material relating to her studios, especially the one in Sydney.

Two folders of handwritten notes, in pencil, determined to be by Vida Lahey.

Ledgers with expenses and income from rental property from 1937 to 1959, most of which were probably kept by her father until his death in 1954 and then by mother and/or Daphne. Ledgers kept by Daphne Mayo from 1960 to 1965 incorporate income and expenses for property, dividends and her profession. Folders contain correspondence, notes, invoices and receipts, and rental books for property in Highgate Hill, Brisbane.