Short stories, most of which appear in the short story collection Every Move You Make. The short stories that appeared in the publication are: The Valley of Lagoons, Every Move You Make, War Baby, Towards Midnight, Elsewhere, Mrs Porter and the Rock, and The Domestic Cantata. This sub-series contains two files of short story typescript drafts.

Correspondence from Patrick White – 7 letters
Comprises:
[File 1]: 1976 to 1990

'The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is an officer of the police who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives, and learn new truths. Outside the hut, Adair's troopers sit uneasily, reflecting on their own pasts and futures, waiting for the morning to come. With ironic humour and in prose of starkly evocative power, the novel moves between Australia and Ireland to explore questions of nature and justice, reason and un-reason. , the workings of fate, and the small measure of freedom a man may claim in the face of death.' Source: Publisher's blurb (Vintage reprint).
This sub-series contains handwritten and typescript drafts, with emendations.

Remembering Babylon, set mainly in a mid-nineteenth-century settlement in Queensland, is a compressed epic, centering on the theme of exile and the strange challenge posed by one who, like William Buckley, had lived with the Aborigines, becoming ‘a white black man.’ It was first published in 1993. This subseries consists of six folders of notes, handwritten drafts, three typescripts with many handwritten corrections and additions, publishers’ proofs with many corrections, and a re-typed transcript with corrections throughout.

Correspondence from Elizabeth Riddell, Mrs Elizabeth Greatorex – 41 letters
Comprises:
[File 1]: 1974 to 1998

Correspondence from Peter Porter - 24 letters
Comprises:
[File 1]: 1974 - 1999

In The Great World Malouf enters familiar Australian territory with a story of war experience and mateship. The narrative contrasts the personalities of two men and their experiences in the Second World War, Digger Keen, the archetypal, taciturn Australian, gifted with a photographic memory, and Vic Curran, whose ambition and drive take him from poverty to the top of the business world. The Great World was first published in 1990 and won the Miles Franklin Award in 1991, the Adelaide Festival Award and two international awards, the 1991 Commonwealth Prize for fiction and the Prix Femina Etranger in France for the best foreign novel. This subseries consists of a draft early version of the novel, originally titled ‘The Memorialists’, the first handwritten draft of the novel, and a typescript draft in five parts with many handwritten corrections and additions.

The collection of autobiographical essays, 12 Edmonstone Street, A Place in Tuscany, A Foot in the Stream, and The Kyogle Line were published as 12 Edmonstone Street, by Chatto and Windus in 1985. This subseries consists of a note by David Malouf originally intended to introduce the book, drafts of 12 Edmondstone Street with editorial material, and drafts of A Place in Tuscany, A Foot in the Stream, and The Kyogle Line. Handwritten and typescript drafts, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape, now degrading).

Correspondence from Manning Clark – 13 letters.
Comprises:
[File 1]: 1974 to 1991. Includes: 17 Jan 1990 – enclosing a typescript with manuscript emendations; 21 May 1991 – two days before his death – writing ‘David, I will miss you. […]. Manning’.

This subseries is comprised of:
Folder 1 An imaginary life. Based on the novel by David Malouf. The Australian Elizabethan Theatre Trust. Folded sheet with insert. First performed on 19 Feb 1986. With associated review. Blood relations. The State Theatre Company and the Sydney Theatre Company. 1987. 24p. Voss. The Australian Opera at the Sydney Opera House. 18 Oct 1990. Single-leaf sheet. Contained in a red folder with gilt-embossed title and string. Also contains six cards in envelopes addressed to Malouf.

Folder 2 Mer de Glace. The Australian Opera, 1991. Baa-baa black sheep. An opera in three acts. Music by Michael Berkeley. Cheltenham International Festival of Music 3 Jul 1993. [and] Opera North 15 (Leeds, UK). 13, 16, 17 and 19 Nov 1993.

Folder 3 1914. Inspired by Fly Away Peter. The Australian Ballet. 7-27 Apr 1998. Exotic pleasures. From stories of Peter Carey and David Malouf. Theatre of Image at the Seymour Centre at the University of Sydney. York Theatre. 12 Mar to 3 Apr 1999. A3 broadsheet programme. [Mary Ellen Snodgrass: Peter Carey. A literary companion dates this adaptation to mid-January 1999, and describes it as a ‘dance-cinema-puppet montage’. In January 1999 Theatre of Image offered a workshop based on Exotic Pleasures at Macquarie University. With copies of newspaper reviews. Johnno. Adapted for the stage by Stephen Edwards. Derby Playhouse and La Boite Theatre. 14 Jul – 5 Aug 2006. Powerhouse Theatre.