Remembering Babylon : for tenor voice and piano, composed by Diana Blom ; text by David Malouf, 2 versions, one unpublished with holograph letter by Diana Blom, dated 8 Nov 2001; the other is the score published Wollongong, Wirrapang Pty Ltd, 2013, (31 pages); 21 x 30 cm, with note "Dear David, Finally published! Cheers Dinty".

Correspondence, incoming, from 1997:
1997 – 31 letters: Dymphna Clark (1); Margaret Olley (31 Jan - enclosing a photograph of Malouf and Philip Bacon); Others (29)

Manuscript (foolscap and A5 size) on green and white pages, in yellow manila folder, [100 leaves]. Cover note by Malouf: Some early drafts, notes & 'bits and pices' of Curlow Creek.

Draft typescript, typed by Malouf, 120 leaves with handwritten page numbers in pencil, handwritten emendations in blue ink and black biro.

'Jane or The Bride of Thornfield' (Jane Eyre), typescript, 18 leaves, a few emendations. [David Malouf’s 2017 note: First draft, 1996/8. Performed Cheltenham Festival. Toured London, Canberra, St Louis, USA.]. With associated letter by Malouf to Michael Berkeley. Accompanied by the published libretto, Jane Eyre, from cover 'A libretto by David Malouf for an opera by Michael Berkeley', 27 pages, published by Vintage in 2000.

Draft typescript [by Chris Edwards], [180 leaves] with handwritten emendations [by David Malouf], in blue and black biro, blue ink and pencil, white-out corrections, cut and paste typescript inserts (attached with sticky tape), and handwritten inserts.

Draft typescript, 202 numbered leaves, 4 inserted leaves, handwritten emendations in blue biro, and several pages of typescript drafts of new paragraphs inserted after page 138 and others

'The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is an officer of the police who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives, and learn new truths. Outside the hut, Adair's troopers sit uneasily, reflecting on their own pasts and futures, waiting for the morning to come. With ironic humour and in prose of starkly evocative power, the novel moves between Australia and Ireland to explore questions of nature and justice, reason and un-reason. , the workings of fate, and the small measure of freedom a man may claim in the face of death.' Source: Publisher's blurb (Vintage reprint).
This sub-series contains handwritten and typescript drafts, with emendations.

Draft typescript, 209 numbered leaves, 8 leaves inserted, handwritten emendations, white-out corrections, and cut and paste inserts (attached with sticky tape).

Correspondence, incoming, from 1996:
1996 – 42 letters: Dymphna Clark (1); Geoffrey Dutton (1); Nin Dutton (1); Nick Enright (1); Elizabeth Jolley (1); Kate Grenville (1); David Marr (1); David Rowbotham (1); Others (34).