Cuttings collected by Caroline Kelly. Includes
-- Scrapbook of newspaper cuttings relating to Caroline Kelly, mostly concerning her wedding and hiking honeymoon, 1929.
-- The B.P. Magazine, 1 Mar 1932, containing a history of Australia drama with a reference to Carrie Tennant.

Ephemera, newspaper cuttings, miscellaneous items relating to radical politics, labour movements, and student activities, including some theatre productions.

Biographical details of Graham de Gruchy, 1974

This series includes correspondence, research material, drafts of unpublished and published works, and presentation papers. It is organised into three files.

From 1930 to 1934 Shaw attended Vida Lahey's painting and drawing classes in Brisbane. Mim moved to Sydney in 1935 at the suggestion of Vida Lahey. Mim Shaw was an art teacher and in the early 1940s she assisted with Vida Lahey's afternoon painting and drawings classes for children. Mim also wrote an account of Vida Lahey, as suggested to her by Daphne Mayo. Vida Lahey was Mim Shaw's teacher, mentor and friend. All four items in this series are held in handmade, hand painted artist folders of roughly A3 size containing newspaper clippings, notes, drafts, teaching material, cards, colour charts, correspondence, and information on Daphne Mayo.

After the death of Daphne Mayo on 31 July 1982, a group of friends decided to commemorate her public work for art in Queensland. Those involved included: Lloyd Rees, Professor Robert Cummings, Robert Haines, Judith McKay, Mim Shaw, sculptor colleagues, art dealers, and members of Mayo and Lahey families. From this, the Queensland Art Gallery agreed to have a casting done in bronze from 'Susannah' a plaster model by Mayo; and Judith McKay wrote Daphne Mayo : a tribute to her work for art in Queensland which was published by The Friends of Daphne Mayo in 1983.

Mim Shaw was one of the organisers of the 'Friends of Daphne Mayo' group, and her address was used in correspondence for the group. Mim wrote and/or drafted correspondence regarding the Judith McKay booklet, fundraising for it, promoting it and sending it to people and libraries as required.

These postcards and prints were collected by Daphne Mayo during her travels in Europe and were used to inform her artistic work. The postcards (300), are mostly blank, and are mostly of historical buildings and sculptural art works in Europe. Some postcards have notes written by Daphne Mayo and some are addressed to her from friends. Newspaper cuttings, pictures cut from magazines and a line drawing are among the postcards.

Examples of paper and textile collage, signed by M. Shaw

This series mostly consists of correspondence between Shearston and University of Queensland Press (UQP) during his time with them, from 1977 to 1998. Included are the memorandum of agreements for his first three works of fiction published with UQP.