Flyer circulated by the Council for Aboriginal Affairs (Victoria) on behalf of the Federal Council for the Advancement of Aborigines and Torres Strait Islanders agreeing with the Country Party of Victoria that the Trust fund system in Queensland should end. Includes a resolution for 1971 that the Commonwealth Banking Corporation refuse to handle this fund. Second page has a list of people for campaigners to send their views to.

Bumper sticker that reads 'Link-Up' in block letters along with the Link-Up logo from the time, an outline of Queensland, yellow, against two concentric circles, one red and one black.

Typescript copy of W.E. Hanlon's memories of South East Queensland in the late nineteenth and early twentieth centuries, including stories relating to local Aboriginal people.

Content advice: Aboriginal and Torres Strait Islander peoples are warned that this resource may contain images, transcripts or names of Aboriginal and Torres Strait Islander peoples now deceased. It may also contain historically and culturally sensitive words, terms, and descriptions.

Black type on double-sided white paper. Provides information about the history, purpose and aims of OPAL, particularly across the spheres of housing, education, employment and welfare and social relations.

Copy of a flyer, black handwriting on yellow paper, advertising an exhibition of traditional Aboriginal art to be held from Monday 5 July to Friday 9 July at the Queensland Room, McDonnell & East Ltd Building, arranged by OPAL. Exhibition will feature Arnhem Land bark paintings, carvings, weapons, artefacts and feathered headdresses.

Copy of a trifold brochure, brown type on yellow paper, undated, promoting the Geerbaugh Aboriginal Cultural Centre, also known as the OPAL Cultural Centre. Address for the Centre is listed as 466 Ann Street, Brisbane. Features a biography and a black and white photograph of Uncle Willie MacKenzie (Geerbaugh), for whom the Centre was named. Contains a list of items for sale (didgeridoos, boomerangs, spears, bark paintings, shields, paintings, and other artefacts) as well as sketch illustrations of these objects. Includes black and white photographs from inside the Centre showing displays of art by Aboriginal and Torres Strait Islander artists, and a hand-drawn map of where the Centre is located in the Brisbane central business district.