Fibreglass model, painted green with some gold. The Little Blackie sculpture depicts the smaller than life-sized head of an Aboriginal baby. One of the most reproduced of all Daphne Mayo's works. One bronze head was purchased by the Art Gallery of New South Wales (AGNSW) from the Three Sculptors Exhibition in Sydney in 1946. Daphne Mayo would not assigned copyright to the the AGNSW.

Plaster female figure, not full freestanding piece, drape wtih green glaze.

Plaster copy of Daphne Mayo's copy of the Winged victory of Samothrace that she created while studying at Brisbane's Central Technical College. The college had a plaster cast that she used as a model. It won her the inaugural (1914) Queensland Wattle Day Leagues travelling art scholarship training in Europe. One wing has fallen off. It does not have a plinth.

Fibreglass model of female figure with pot raised on head. Coming apart along both sides of the body, both arms taped, left leg taped once and right leg was taped but that has fallen off.

Fibreglass model for Trophy for Winton's Bronze Swagman Award for Bush Verse. Held together with fabric ties.

Male figure, walking pose, missing right arm, made of fibreglass.

Fibreglass model of female figure with pot raised on head. Coming apart along both sides of the body, both arms taped, left leg taped once and right leg taped twice.

Pencil on paper. Hand study (63 x 48 cm), window mounted (86 x 63 cm), which formed part of the Queensland Art Gallery Exhibition Daphne Mayo : let there be sculpture, Nov 2011 to Jan 2012.

Oil on canvas: Seated artist at easel, Cézanne painting on wall behind. (Allegedly the painting on the wall is Daphne Mayo’s favourite Cézanne reproduction).

Measurements for portrait busts.