Art exhibition ephemera including invitations, fliers and price lists. Some signed or annotated.

Exhibition invitations and catalogues. Gallery invitations include: Ray Hughes Gallery exhibiting Ken Whisson (1983); Garry Anderson Gallery exhibiting Peter Booth (1987), Agnes Martin (1987), Maningrida (1988), Billy Yalwanga (1988), Leonard Brown (1987, 1988), A private collection [of] Australian, British and Japanese works of art (1988), Andrew Taylor (1989), Noel McKenna (1988), Peter Atkins (1988), Australian photograph 1928-1988 (1988), Allan Mitelman (1988, 1989), Gordon Walters (1989), Paul Partos (1987), Terry Ngamandarra (1990), Tribal art from the collection of Mr Peter Halinan (1991), Nigel Hall (1990), Jack Wunuwun (1990), Joe Felber (1989), Madonna Staunton (1988), Peter Elliston (1989), Rosemary Madigan (1989), Richard Thomas (1990), Noel McKenna (1989), Patsy Hely (1988) Osmosis (1990); Baldacci-Daverio GAllery exhibiting 'Nature Morte de Chirico de Pisis Gnoli Manzoni Morandi' ; Andrew Baker Art Dealer exhibiting Leonard Brown (2011); Sean Phillips Patternpoems; Doggett Street Studio exhibiting Lance Litchfield (1995), Brendan Smith (1995, 1997), Nick Cominos (1995, 1999, 2000), Stephen Mok (1998); Niagara Galleries exhibition Leonard Brown (1986); Christine Abrahams Gallery exhibiting Robert Klippel (1988). Catalogues are from the Charles Nodrum Gallery exhbiting 'Abstraction 11' (2012); and Redcliffe City Art Gallery exhibiting '15 Artists' (2013).

Three black, spiral bound A2 folders with photographs of art works and exhibitons. Unlike the scrapbooks these folders have no associated documents and are comprised of colour photographs of the works of art by Leonard Brown. Two folders have handwritten labels at the bottom right-hand corner inscribed with 'Art archive' but have been treated as art portfolios.

Reviews about the art work of Leonard Brown and other artists. Comprises: Grishin, Sasha, ‘Originality in the icons of Leonard Brown’, nd, typescript, 2p; and McDonald, Ewen, ‘Contemporanea: Letter from Sydney’, 1989, typescript, 4p.

Examples of paper and textile collage, signed by M. Shaw

Folders of information about individual Queensland artists and their creative output.

This series is comprised of four (4) artworks mounted on boards, 31 x 51 cm.
Item 1: Fred Leist, (Two men in street), 1898, ink on paper, 10 x 13 cm, signed Fred Leist, mounted with an inscribed silver gelatin photograph, inscribed 'Lest you forget/Yours Fred Leist', 11 x 6.5 cm.
Item 2: Lionel Lindsay, The Return Home, ink on paper, 10.5 x 8 cm, inscribed lower centre "After Sunday dinner. The return home. Pray notice the ties - (very unique)'.
Item 3: Percy Lindsay, (The Vanquished), 1909, ink on paper, 20 x 15.5 cm, signed 'Percy Lindsay' dated '09'.
Item 4: Rose Lindsay, silver gelatin photograph, 19.5 x 13 cm, signed by Rose Lindsay.

Sewing projects, patterns and dolls created by asylum seekers while held in detention on Naru and put on display in the exhibition And everyone was an optimist at the gallery Gabrielle Pizzi in 2005. Four satin covered cakes of soap.
53 pillows created for exhibition Sewing all the way to here at Shepparton Art Gallery in 2006.

Comprises: 1 sculpture, 11 framed works of relief sculpture, 3 paintings and 273 panels of the artwork SIEV X. Captions and ephemera relating to exhibitions in Box 4.
7 steel framed display panels, 180cm x 90cm